Harold Bloom

Harold
Bloom
1930

American Literary Critic and Sterling Professor of Humanities at Yale University

Author Quotes

I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist.

Infinite Jest? is just awful. It seems ridiculous to have to say it.

More even than Southern Presbyterians and Southern Methodists, the Baptists provided the great mass of Confederate enlisted men.

People cannot stand the saddest truth I know about the very nature of reading and writing imaginative literature, which is that poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves. What I

Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.

The defense of the great works of Western literature can no longer be undertaken by central institutional power though it is hard to see how the normal operation of learned institutions, including recruitment can manage without them.

The Western Canon does not exist in order to augment preexisting societal elites. It is there to be read by you and by strangers, so that you and those you will never meet can encounter authentic aesthetic power and the authority of what Baudelaire (and Erich Auerbach after him) called aesthetic dignity. One

Until you become yourself, Bloom avers, what benefit can you be to others.

American Religionists, when I questioned them, frequently said that falling in love was affirming again Christ?s love for each of them.

Criticism starts - it has to start - with a real passion for reading. It can come in adolescence, even in your twenties, but you must fall in love with poems.

Greatness recognizes greatness, and is shadowed by it.

I have read all of Daniel Aaron's books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.

Infinite knowledge can never wonder. All wonder is the effect of novelty upon ignorance.

My introduction, implicitly echoing Oscar Wilde's remark that all bad poetry is sincere, grants the benign social decency of [Stephen] King's fictions.

Personality, in our sense, is a Shakespearean invention.

Shakespeare is universal.

The defense of the Western Canon is in no way a defense of the West or a nationalist enterprise. . . . The greatest enemies of aesthetic and cognitive standards are purported defenders who blather to us about moral and political values in literature. We do not live by the ethics of the Iliad, or by the politics of Plato. Those who teach interpretation have more in common with the Sophists than with Socrates. What can we expect Shakespeare to do for our semiruined society, since the function of Shakespearean drama has so little to do with civic virtue or social justice?

The work of great poetry is to aid us to become free artists ourselves...The art of reading poetry is an authentic training in the augmentation of consciousness, perhaps the most authentic of healthy modes.

Urging the need for community upon American religionists is a vain enterprise; the experiential encounter with Jesus or God is too overwhelming for memories of community to abide, and the believer returns from the abyss of ecstasy with the self-enhanced and otherness devalued.

As an addict who will read anything, I obeyed, but I am not saved, and return to tell you neither what to read nor how to read it, only what I have read and think worthy of rereading, which may be the only pragmatic test for the canonical.

Dante subsumed everything, and so, in a sense, secularized nothing.

Hamlet, Kiekegaard, Kafka are ironists in the wake of Jesus. All Western irony is a repetition of Jesus' enigmas/riddles, in amalgam with the ironies of Socrates.

I myself do not believe that the Torah is any more or less the revealed Word of God than are Dante?s Commedia, Shakespeare?s King Lear, or Tolstoy?s novels, all works of comparable literary sublimity.

Information is endlessly available to us; where shall wisdom be found?

N?o posso ter certeza, mas …s vezes imagino se uma preferˆncia cr¡tica pelo contexto sobre o texto n?o reflete uma gera‡?o tornada impaciente com a leitura em profundidade.

Author Picture
First Name
Harold
Last Name
Bloom
Birth Date
1930
Bio

American Literary Critic and Sterling Professor of Humanities at Yale University