American Writer, Novelist, Essayist, Playwright, Poet, Activist and Social Critic
James Baldwin, fully James Arthur Baldwin
American Writer, Novelist, Essayist, Playwright, Poet, Activist and Social Critic
White people... have quite enough to do in learning how to accept and love themselves and each other, and when they have achieved this -- which will not be tomorrow and may very well be never -- the Negro problem will no longer exist, for it will no longer be needed.
You don't realize that you're intelligent until it gets you into trouble.
Yves did not like showers, he preferred long, scalding baths, with newspapers, cigarettes, and whiskey on a chair next to the bathtub, and with Eric nearby to talk to, to shampoo his hair, and to scrub his back.
Somebody, said Jacques, your father or mine, should have told us that not many people have ever died of love. But multitudes have perished, and are perishing every hour - and in the oddest places! - for the lack of it.
The burden of his salvation seemed to be on me and I could not endure it.
The moment we break faith with one another, the sea engulfs us and the light goes out.
The questions which one asks oneself begin, at least, to illuminate the world, and become one's key to the experience of others.
The victim who is able to articulate the situation of the victim has ceased to be a victim: he or she has become a threat.
There is a "sanctity" involved with bringing a child into this world: it is better than bombing one out of it.
This was not the man they had known, but they had scarcely expected to be confronted with him; this was, in a sense deeper than questions of fact, the man they had not known, and the man they had not known may have been the real one. The real man, whoever he had been, had suffered and now he was dead: this was all that was sure and all that mattered now.
Until I die there will be these moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them--in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the
What happened was that, all unconscious of what this ennui meant, I wearied of the motion, wearied of the jobless seas of alcohol, wearied of the blunt, bluff, hearty, and totally meaningless friendships wearied of wandering through the forests of desperate women, wearied of the work which fed me only in the most brutally literal sense. Perhaps, as we say in America, I wanted to find myself. This is an interesting phrase, not current as far as I know in the language of any other people, which certainly does not mean what it says but betrays a nagging suspicion that something has been misplaced. I think now that if I had had any intimation that the self I was going to find would turn out to be the only the same self from which I had spent so much time in flight, I would have stayed at home, But again, I think I knew, at the very bottom of my heart, exactly what I was doing when I took the boat for France.
Whoever debases others is debasing himself.
You face reality, not the lights. The lights go off as quickly as they come on.
Sometimes you hear a person speak the truth and you know that they are speaking the truth. But you also know that they have not heard themselves, do not know what they have said: do not know that they have revealed much more than they have said. This may be why the truth remains, on the whole, so rare.
The celebrity never sees himself. I have some idea what I'm doing on that stage; above all, I have some idea what sustains me on that stage. But the celebrity is not exactly Jimmy, though he comes out of Jimmy and Jimmy nourishes that, too. I can see now, with hindsight, that I would've had to become a celebrity in order to survive. A boy like me with all his handicaps, real and fancied, could not have survived in obscurity. I can say that it would have had to happen this way, though I could not see it coming.
The moral authority in the Western world is gone. And it is gone forever. It is gone, not because of the criminal record--everybody's record is criminal. It is gone because you cannot do one thing and pretend you're doing another! None of us, who are sitting around in some of the true limbo out-of-space, which we call now, waiting to be saved, civilized, or discovered, have the moral authority to say anything.
The real troubles with living is that living is so banal. Everyone, after all, goes the same dark road?and the road has a trick of being the most dark, most treacherous, when it seems most bright?and it?s true that nobody stays in the Garden of Eden.
The way to be really despicable is to be contemptuous of other people's pain.
There is a fearful splendor in absolute desolation.
This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.
Voyagers discover that the world can never be larger than the person that is in the world; but it is impossible to foresee this, it is impossible to be warned.
What kind of friendship have you had?
Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent. Whereas other cities flaunt their history - their presumed glory - in vividly placed monuments, squares, parks, plaques, and boulevards, such history as New York has been unable entirely to obliterate is to be found, mainly, in the backwaters of Wall Street, in the goat tracks of Old and West Broadway, in and around Washington Square, and, for the relentless searcher, in grimly inaccessible regions of The Bronx.
You go to white movies and, like everybody else, you fall in love with Joan Crawford, and you root for the Good Guys who are killing off the Indians. It comes as a great psychological collision when you realize all of these things are really metaphors for your oppression, and will lead into a kind of psychological warfare in which you may perish.