British Poet,Historian, Essayist, Biographer, Secretary of War, Paymaster-General and Whig Politician
Thomas Macaulay, fully Lord Thomas Babington Macaulay, 1st Baron Macaulay
British Poet,Historian, Essayist, Biographer, Secretary of War, Paymaster-General and Whig Politician
Then none was for a party; then all were for the state; then the great man helped the poor. And the poor man loved the great.
There is not, and there never was on this earth, a work of human policy so well deserving of examination as the Roman Catholic Church. The history of that Church joins together the two great ages of human civilization. No other institution is left standing which carries the mind back to the times when the smoke of sacrifice rose from the Pantheon, and when camelopards and tigers bounded in the Flavian amphitheatre. The proudest royal houses are but of yesterday, when compared with the line of the Supreme Pontiffs. That line we trace back in an unbroken series, from the Pope who crowned Napoleon in the nineteenth century to the Pope who crowned Pepin in the eighth; and far beyond the time of Pepin the august dynasty extends, till it is lost in the twilight of fable. The republic of Venice came next in antiquity. But the republic of Venice was modern when compared with the Papacy; and the republic of Venice is gone, and the Papacy remains. The Papacy remains, not in decay, not a mere antique, but full of life and youthful vigour. The Catholic Church is still sending forth to the farthest ends of the world missionaries as zealous as those who landed in Kent with Augustin, and still confronting hostile kings with the same spirit with which she confronted Attila. The number of her children is greater than in any former age. Her acquisitions in the New World have more than compensated for what she has lost in the Old. Her spiritual ascendency extends over the vast countries which lie between the plains of the Missouri and Cape Horn, countries which a century hence, may not improbably contain a population as large as that which now inhabits Europe. The members of her communion are certainly not fewer than a hundred and fifty millions; and it will be difficult to show that all other Christian sects united amount to a hundred and twenty millions. Nor do we see any sign which indicates that the term of her long dominion is approaching. She saw the commencement of all the governments and of all the ecclesiastical establishments that now exist in the world; and we feel no assurance that she is not destined to see the end of them all. She was great and respected before the Saxon had set foot on Britain, before the Frank had passed the Rhine, when Grecian eloquence still flourished at Antioch, when idols were still worshipped in the temple of Mecca. And she may still exist in undiminished vigour when some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.
They were the first generation of statesmen by profession that England produced.
Those who compare the age in which their lot has fallen with a golden age which exists only in imagination, may talk of degeneracy and decay; but no man who is correctly informed as to the past, will be disposed to take a morose or desponding view of the present.
To make the past present, to bring the distant near, to place us in the society of a great man or on the eminence which overlooks the field of a mighty battle, to invest with the reality of human flesh and blood beings whom we are too much inclined to consider as personified qualities in an allegory, to call up our ancestors before us with all their peculiarities of language, manners, and garb, to show us over their houses, to seat us at their tables, to rummage their old-fashioned wardrobes, to explain the uses of their ponderous furniture, these parts of the duty which properly belongs to the historian have been appropriated by the historical novelist. On the other hand, to extract the philosophy of history, to direct our judgment of events and men, to trace the connection of causes and effects, and to draw from the occurrences of former times general lessons of moral and political wisdom, has become the business of a distinct class of writers.
Walpole is constantly showing us things, not of very great value indeed, yet things which we are pleased to see, and which we can see nowhere else. They are baubles; but they are made curiosities either by his grotesque workmanship or by some association belonging to them. His style is one of those peculiar styles by which everybody is attracted, and which nobody can safely venture to imitate. He is a mannerist whose manner has become perfectly easy to him. His affectation is so habitual and so universal that it can hardly be called affectation. The affectation is the essence of the man. It pervades all his thoughts and all his expressions. If it were taken away, nothing would be left. He coins new words, distorts the sense of old words, and twists sentences into forms which make grammarians stare. But all this he does, not only with an air of ease, but as if he could not help doing it. His wit was, in its essential properties, of the same kind with that of Cowley and Donne. Like theirs, it consisted in an exquisite perception of points of analogy and points of contrast too subtle for common observation. Like them, Walpole perpetually startles us by the ease with which he yokes together ideas between which there would seem, at first sight, no connection. But he did not, like them, affect the gravity of a lecture, and draw his illustrations from the laboratory and from the schools. His tone was light and fleering; his topics were the topics of the club and the ball-room; and therefore his strange combinations and far-fetched allusions, though very closely resembling those which tire us to death in the poems of the time of Charles the First, are read with pleasure constantly new.
We hold that the most wonderful and splendid proof of genius is a great poem produced in a civilized age.
We should see the keeps, where nobles, insecure themselves, spread insecurity around them, gradually giving place to the halls of peaceful opulence, to the oriels of Longleat, and the stately pinnacles of Burleigh. We should see towns extended, deserts cultivated, the hamlets of fishermen turned into wealthy havens, the meal of the peasant improved, and his hut more commodiously furnished. We should see those opinions and feelings which produced the great struggle against the House of Stuart slowly growing up in the bosom of private families before they manifested themselves in parliamentary debates. Then would come the civil war. Those skirmishes on which Clarendon dwells so minutely would be told, as Thucydides would have told them, with perspicuous conciseness.
Whatever was valuable in the compositions of Sir James Mackintosh was the ripe fruit of study and meditation. It was the same with his conversation. In his most familiar talk there was no wildness, no inconsistency, no amusing nonsense, no exaggeration for the sake of momentary effect. His mind was a vast magazine admirably arranged: everything was there, and everything was in its place. His judgments on men, on sects, on books, had been often and carefully tested and weighed, and had then been committed each to its proper receptacle in the most capacious and accurately-constructed memory that any human being ever possessed. It would have been strange, indeed, if you had asked for anything that was not to be found in that immense warehouse…. You never saw his opinions in the making,—still rude, still inconsistent, and requiring to be fashioned by thought and discussion. They came forth, like the pillars of that temple in which no sound of axes or hammers was heard, finished, rounded, and exactly suited to their places.
While thus I called, and strayed I knew not whither.
The style of Dante is, if not his highest, perhaps his most peculiar excellence. I know nothing with which it can be compared. The noblest models of Greek composition must yield to it. His words are the fewest and the best which it is possible to use. The first expression in which he clothes his thoughts is always so energetic and comprehensive that amplification would only injure the effect. There is probably no writer in any language who has presented so many strong pictures to the mind. Yet there is probably no writer equally concise. This perfection of style is the principal merit of the Paradiso, which, as I have already remarked, is by no means equal in other respects to the two preceding parts of the poem. The force and felicity of the diction, however, irresistibly attract the reader through the theological lectures and the sketches of ecclesiastical biography with which this division of the work too much abounds. It may seem almost absurd to quote particular specimens of an eloquence which is diffused over all his hundred cantos. I will, however, instance the third canto of the Inferno, and the sixth of the Purgatorio, as passages incomparable in their kind. The merit of the latter is, perhaps, rather oratorical than poetical; nor can I recollect anything in the great Athenian speeches which equals it in force of invective and bitterness of sarcasm. I have heard the most eloquent statesman of the age remark that, next to Demosthenes, Dante is the writer who ought to be most attentively studied by every man who desires to attain oratorical excellence.
There are other rules of the same kind without end. Shakespeare, says Rymer, ought not to have made Othello black; for the hero of a tragedy ought always to be white.
There is only one cure for the evils which newly-acquired freedom produces; and that cure is freedom. When a prisoner first leaves his cell, he cannot bear the light of day: he is unable to discriminate colours or recognize faces. But the remedy is, not to remand him into his dungeon, but to accustom him to the rays of the sun. The blaze of truth and liberty may at first dazzle and bewilder nations which have become half blind in the house of bondage. But let them gaze on, and they will soon be able to bear it. In a few years men learn to reason. The extreme violence of opinion subsides. Hostile theories correct each other. The scattered elements of truth cease to contend, and begin to coalesce. And at length a system of justice and order is educed out of the chaos.
This being admitted, can it be denied that the education of the common people is a most effectual means of securing our persons and our property?
Those who have read history with discrimination know the fallacy of those panegyrics and invectives which represent individuals as effecting great moral and intellectual revolutions, subverting established systems, and imprinting a new character on their age. The difference between one man and another is by no means so great as the superstitious crowd supposes. But the same feelings which in ancient Rome produced the apotheosis of a popular emperor, and in modern times the canonization of a devout prelate, lead men to cherish an illusion which furnishes them with something to adore. By a law of association, from the operation of which even minds the most strictly regulated by reason are not wholly exempt, misery disposes us to hatred, and happiness to love, although there may be no person to whom our misery or our happiness can be ascribed. The peevishness of an invalid vents itself even on those who alleviate his pain. The good humour of a man elated by success often displays itself towards enemies. In the same manner, the feelings of pleasure and admiration to which the contemplation of great events gives birth make an object where they do not find it. Thus nations descend to the absurdities of Egyptian idolatry and worship stocks and reptiles,—Sacheverells and Wilkeses. They even fall prostrate before a deity to which they have themselves given the form which commands their veneration, and which, unless fashioned by them, would have remained a shapeless block. They persuade themselves that they are the creatures of what they have themselves created. For, in fact, it is the age that forms the man, not the man that forms the age.
To Plato, the science of medicine appeared to be of very disputable advantage. He did not indeed object to quick cures for acute disorders, or for injuries produced by accidents. But the art which resists the slow sap of a chronic disease, which repairs frames enervated by lust, swollen by gluttony, or inflamed by wine, which encourages sensuality by mitigating the natural punishment of the sensualist, and prolongs existence when the intellect has ceased to retain its entire energy, had no share of his esteem. A life protracted by medical skill he pronounced to be a long death. The exercise of the art of medicine ought, he said, to be tolerated so far as that art may serve to cure the occasional distempers of men whose constitutions are good. As to those who have bad constitutions, let them die; and the sooner the better. Such men are unfit for war, for magistracy, for the management of their domestic affairs, for severe study and speculation. If they engage in any vigorous mental exercise, they are troubled with giddiness and fulness of the head, all which they lay to the account of philosophy. The best thing that can happen to such wretches is to have done with life at once. He quotes mythical authority in support of this doctrine; and reminds his disciples that the practice of the sons of Æsculapius, as described by Homer, extended only to the cure of external injuries.
Walpole’s Letters are generally considered as his best performances, and, we think, with reason. His faults are far less offensive to us in his correspondence than in his books. His wild, absurd, and ever-changing opinions about men and things are easily pardoned in familiar letters. His bitter, scoffing, depreciating disposition does not show itself in so unmitigated a manner as in his Memoirs. A writer of letters must in general be civil and friendly to his correspondent at least, if to no other person. He loved letter-writing, and had evidently studied it as an art. It was, in truth, the very kind of writing for such a man, for a man very ambitious to rank among wits, yet nervously afraid that, while obtaining the reputation of a wit, he might lose caste as a gentleman. There was nothing vulgar in writing a letter. Not even Ensign Northerton, not even the Captain described in Hamilton’s Bawn,—and Walpole, although the author of many quartos, had some feelings in common with those gallant officers,—would have denied that a gentleman might sometimes correspond with a friend. Whether Walpole bestowed much labour upon the composition of his letters, it is impossible to judge from internal evidence. There are passages which seem perfectly unstudied; but the appearance of ease may be the effect of labour. There are passages which have a very artificial air; but they may have been produced without any effort by a mind of which the natural ingenuity had been improved into morbid quickness by constant exercise. We are never sure that we see him as he was. We are never sure that what appears to be nature is not disguised art. We are never sure that what appears to be art is not merely habit which is become second nature.
We know no spectacle so ridiculous as the British public in one of its periodical fits of morality. In general, elopements, divorces, and family quarrels pass with little notice. We read the scandal, talk about it for a day, and forget it. But once in six or seven years our virtue becomes outrageous. We cannot suffer the laws of religion and decency to be violated. We must make a stand against vice. We must teach libertines that the English people appreciate the importance of domestic ties. Accordingly, some unfortunate man, in no respect more depraved than hundreds whose offences have been treated with lenity, is singled out as an expiatory sacrifice. If he has children, they are to be taken from him. If he has a profession, he is to be driven from it. He is cut by the higher orders and hissed by the lower. He is, in truth, a sort of whipping-boy, by whose vicarious agonies all the other transgressors of the same class are, it is supposed, sufficiently chastised. We reflect very complacently on our own severity, and compare with great pride the high standard of morals established in England with the Parisian laxity. At length our anger is satiated. Our victim is ruined and heart-broken. And our virtue goes quietly to sleep for seven years more.
We should very much like to know how the Utilitarian principle would run when reduced to one plain imperative proposition? Will it run thus—pursue your own happiness? This is superfluous. Every man pursues it, according to his light, and always has pursued it, and always must pursue it. To say that a man has done anything, is to say that he thought it for his happiness to do it. Will the principle run thus—pursue the greatest happiness of mankind, whether it be your own greatest happiness or not? This is absurd and impossible, and Bentham himself allows it to be so. But if the principle be not stated in one of these ways, it is an identical proposition,—true, but utterly barren of consequences. Stated in the other way, it is a contradiction in terms. Mr. Bentham has distinctly declined the absurdity. Are we then to suppose that he adopts the truism?
When at length the illustrious prisoner regained his liberty, the prospect before him was but dreary. He was an exile both from the country of his birth and from the country of his adoption. The French government had taken offence at his journey to Prussia, and would not permit him to return to Paris; and in the vicinity of Prussia it was not safe for him to remain.
Who can believe that there is no soul behind those luminous eyes!
The style which the Utilitarians admire suits only those subjects on which it is possible to reason a priori. It grew up with the verbal sophistry which flourished during the dark ages. With that sophistry it fell before the Baconian philosophy in the day of the great deliverance of the human mind. The inductive method not only endured but required greater freedom of diction. It was impossible to reason from phenomena up to principles, to mark slight shades of difference in quality, or to estimate the comparative effect of two opposite considerations between which there was no common measure, by means of the naked and meagre jargon of the schoolmen.
There are perhaps no two kinds of composition so essentially dissimilar as the drama and the ode. The business of the dramatist is to keep himself out of sight, and to let nothing appear but his characters. As soon as he attracts notice to his personal feelings, the illusion is broken. The effect is as unpleasant as that which is produced on the stage by the voice of a prompter or the entrance of a scene-shifter. Hence it was that the tragedies of Byron were his least successful performances. They resemble those pasteboard pictures invented by the friend of children, Mr. Newbery, in which a single movable head goes round twenty different bodies, so that the same face looks out upon us successively from the uniform of a hussar, the furs of a judge, and the rags of a beggar. In all the characters, patriots and tyrants, haters and lovers, the frown and sneer of Harold were discernible in an instant. But this species of egotism, though fatal to the drama, is the inspiration of the ode. It is the part of the lyric poet to abandon himself, without reserve, to his own emotions.
There is scarcely anything in history so interesting as that great stirring up of the mind of France, that shaking of the foundations of all established opinions, that uprooting of old truth and old error. It was plain that mighty principles were at work, whether for evil or for good. It was plain that a great change in the whole social system was at hand. Fanatics of one kind might anticipate a golden age, in which men should live under the simple dominion of reason, in perfect equality and perfect amity, without property, or marriage, or king, or God. A fanatic of another kind might cling more closely to every old abuse, and might regret the good old days when St. Dominic and Simon de Montfort put down the growing heresies of Provence. A wise man would have seen with regret the excesses into which the reformers were running; but he would have done justice to their genius and to their philanthropy. He would have censured their errors; but he would have remembered that, as Milton has said, error is but opinion in the making. While he condemned their hostility to religion, he would have acknowledged that it was the natural effect of a system under which religion had been constantly exhibited to them in forms which common sense rejected, and at which humanity shuddered. While he condemned some of their political doctrines as incompatible with all law, all property, and all civilization, he would have acknowledged that the subjects of Louis the Fifteenth had every excuse which men could have for being eager to pull down, and for being ignorant of the far higher art of setting up. While anticipating a fierce conflict, a great and wide-wasting destruction, he would yet have looked forward to the final close with a good hope for France and for mankind.
This childish controversy [touching the comparative merit of the ancient and modern writers] spread to England; and some mischievous dæmon suggested to Temple the thought of undertaking the defense of the ancients. As to his qualifications for the task, it is sufficient to say that he knew not a word of Greek. But his vanity, which, when he was engaged in the conflicts of active life and surrounded by rivals, had been kept in tolerable order by his discretion, now, when he had long lived in seclusion, and had become accustomed to regard himself as by far the first man of his circle, rendered him blind to his own deficiencies. In an evil hour he published an Essay on Ancient and Modern Learning. The style of this treatise is very good, the matter ludicrous and contemptible to the last degree. There we read how Lycurgus travelled into India, and brought the Spartan laws from that country; how Orpheus made voyages in search of Knowledge, and attained to a depth of learning which has made him renowned in all succeeding ages; how Pythagoras passed twenty-two years in Egypt, and, after graduating there, spent twelve years more at Babylon, where the Magi admitted him ad eundem; how the ancient brahmins lived two hundred years; how the earliest Greek philosophers foretold earthquakes and plagues, and put down riots by magic; and how much Ninus surpassed in abilities any of his successors on the throne of Assyria. The moderns, Sir William owns, have found out the circulation of the blood; but, on the other hand, they have quite lost the art of conjuring; nor can any modern fiddler enchant fishes, fowls, and serpents by his performance. He tells us that Thales, Pythagoras, Democritus, Hippocrates, Plato, Aristotle, and Epicurus made greater progresses in the several empires of science than any of their successors have since been able to reach; which is just as absurd as if he had said that the greatest names in British science are Merlin, Michael Scot, Dr. Sydenham, and Lord Bacon. Indeed, the manner in which Temple mixes the historical and the fabulous reminds us of those classical dictionaries, intended for the use of schools, in which Narcissus the lover of himself and Narcissus the freedman of Claudius, Pollux the son of Jupiter and Pollux the author of the Onomasticon, are ranged under the same headings and treated as personages equally real. The effect of this arrangement resembles that which would be produced by a dictionary of modern names consisting of such articles as the following; Jones, William, an eminent Orientalist, and one of the Judges of the Supreme Court of Judicature in Bengal—Davy, a fiend, who destroys ships—Thomas, a foundling, brought up by Mr. Allworthy. It is from such sources as these that Temple seems to have learned all that he knew about the ancients. He puts the story of Orpheus between the Olympic games and the battle of Arbela: as if we had exactly the same reasons for believing that Orpheus led beasts with his lyre which we have for believing that there were races at Pisa, or that Alexander conquered Darius.