Virginia Woolf, nee Stephen, fully Adeline Virginia Woolf
I wonder why time is always allowed to harry one.
Life piles up so fast that I have no time to write out the equally fast rising mound of reflections.
Time, unfortunately, though it makes animals and vegetables bloom and fade with amazing punctuality, has no such simple effect upon the mind of man. The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.
An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length.
I want to appear a success even to myself. Yet I don?t get to the bottom of it. It?s having no children, living away from friends, failing to write well, spending too much on food, growing old. I think too much of whys and wherefores; too much of myself. I don?t like time to flap round me. Well then, work.
Clearly the mind is always altering its focus, and bringing the world into different perspectives.
Coleridge perhaps meant this when he said that a great mind is androgynous. It is when this fusion takes place that the mind is fully fertilized and uses all its faculties. Perhaps a mind that is purely masculine cannot create, any more than a mind that is purely feminine, I thought. But it would be well to test what one meant by man-womanly, and conversely by woman-manly, by pausing and looking at a book or two.
Coleridge? meant, perhaps, that the androgynous mind is resonant and porous; that it transmits emotion without impediment; that it is naturally creative, incandescent and undivided. In fact one goes back to Shakespeare?s mind as the type of the androgynous, of the man-womanly mind? And if it be true that it is one of the tokens of the fully developed mind that it does not think specially or separately of sex, how much harder it is to attain that condition now than ever before? No age can ever have been as stridently sex-conscious as our own?
In each of us two powers preside, one male, one female? The androgynous mind is resonant and porous? naturally creative, incandescent and undivided.
The mind is certainly a very mysterious organ ? about which nothing whatever is known, though we depend upon it so completely. Why do I feel that there are severances and oppositions in the mind, as there are strains from obvious causes on the body? What does one mean by ?the unity of the mind?? ? Clearly the mind has so great a power of concentrating at any point at any moment that it seems to have no single state of being. It can separate itself from the people in the street, for example, and think of itself as apart from them, at an upper window looking down on them. Or it can think with other people spontaneously, as, for instance, in a crowd waiting to hear some piece of news read out.
When I saw the couple get into the taxicab the mind felt as if, after being divided, it had come together again in a natural fusion. The obvious reason would be that it is natural for the sexes to co-operate. One has a profound, if irrational, instinct in favor of the theory that the union of man and woman makes for the greatest satisfaction, the most complete happiness. But the sight of the two people getting into the taxi and the satisfaction it gave me made me also ask whether there are two sexes in the mind corresponding to the two sexes in the body, and whether they also require to be united in order to get complete satisfaction and happiness? And I went on amateurishly to sketch a plan of the soul so that in each of us two powers preside, one male, one female; and in the man?s brain the man predominates over the woman, and in the woman?s brain the woman predominates over the man. The normal and comfortable state of being is that when the two live in harmony together, spiritually co-operating. If one is a man, still the woman part of his brain must have effect; and a woman also must have intercourse with the man in her.
Style is a very simple matter: it is allÿrhythm. Once you get that, you can?t use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can?t dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it; and in writing (such is my present belief) one has to recapture this, and set this working (which has nothing apparently to do with words) and then, as it breaks and tumbles in the mind, it makes words to fit it. But no doubt I shall think differently next year.
Often down here I have entered into a sanctuary … of great agony once; and always some terror; so afraid one is of loneliness; of seeing to the bottom of the vessel. That is one of the experiences I have had here in some Augusts; and got then to a consciousness of what I call “reality”: a thing I see before me: something abstract; but residing in the downs or sky; beside which nothing matters; in which I shall rest and continue to exist. Reality I call it. And I fancy sometimes this is the most necessary thing to me: that which I seek. But who knows — once one takes a pen and writes? How difficult not to go making “reality” this and that, whereas it is one thing. Now perhaps this is my gift: this perhaps is what distinguishes me from other people: I think it may be rare to have so acute a sense of something like that — but again, who knows? I would like to express it too.
The beauty of the world has two edges, one of laughter, one of anguish, cutting the heart asunder.
The mind of man works with strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented by the timepiece of the mind by one second.
You were given a sharp, acute, uncomfortable grain..; yet in absence, in the most unlikely places, it would flower out, open, shed its scent, let you touch, taste, look about you, get the whole feel of it and understanding, after years of lying lost.
To look life in the face, always, to look life in the face, and to know it for what it is...at last, to love it for what it is, and then to put it away.
Truth had run through my fingers. Every drop had escaped.
We can best help you to prevent war not by repeating your words and following your methods but by finding new words and creating new methods.
What is this terror? What is this ecstasy, he thought to himself. What is it that fills me with this extraordinary excitement? It is Clarissa, he said. For there she was.
When people are happy they have a reserve upon which to draw, whereas she was like a wheel without a tyre
Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction?
Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself.
Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table--it is running among your books and papers. Now you mop it up, clumsily, with your pocket-hankerchief. You then stuff your hankerchief back into your pocket--that is not Byron; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep.