Virginia Woolf, nee Stephen, fully Adeline Virginia Woolf

Virginia
Woolf, nee Stephen, fully Adeline Virginia Woolf
1882
1941

English Writer

Author Quotes

"Yes, of course," if it's fine tomorrow," said Mrs. Ramsay. "But you'll have to be up with the lark," she added.

A mistress of much deeper emotion than appears on the surface. She stimulates us to supply what is not there.

‘Now,’ said Neville, ‘my tree flowers. My heart rises. All oppression is relieved. All impediment is removed. The reign of chaos is over. He has imposed order. Knives cut again.’... ‘Here is Percival,’ said Bernard, ‘We... now come nearer; and shuffling closer on our perch in this restaurant where everybody’s interests are at variance, and the incessant passage of traffic chafes us with distractions, and the door opening perpetually its glass cage solicits us with myriad temptations and offers insults and wounds to our confidence — sitting together here we love each other and believe in our own endurance.’

A sort of transaction went on between them, in which she was on one side, and life was on another, and she was always trying to get the better of it, as it was of her.

‘The flower,’ said Bernard, ‘the red carnation that stood in the vase on the table of the restaurant when we dined together with Percival, is become a six-sided flower; made of six lives.’

A State of Mind. Woke up perhaps at 3. Oh its beginning it coming – the horror – physically like a painful wave swelling about the heart – tossing me up. I'm unhappy unhappy! Down – God, I wish I were dead. Pause. But why am I feeling like this? Let me watch the wave rise. I watch. Vanessa. Children. Failure. Yes, I detect that. Failure failure. (The wave rises). Oh they laughed at my taste in green paint. Wave crashes. I wish I were dead! I've only a few years to live I hope. I can't face this horror any more – (this is the wave spreading out over me). This goes on; several times, with varieties of horror. Then, at the crisis, instead of the pain remaining intense, it becomes rather vague. I doze. I wake with a start. The wave again! The irrational pain: the sense of failure; generally some specific incident, as for example my taste in green paint, or buying a new dress, or asking Dadie for the week-end, tacked on. At last I say, watching as dispassionately as I can, Now take a pull of yourself. No more of this. I shove to throw to batter down. I begin to march blindly forward. I feel obstacles go down. I say it doesn't matter. Nothing matters. I become rigid and straight, and sleep again, and half wake and feel the wave beginning and watch the light whitening and wonder how, this time, breakfast and daylight will overcome it; and then hear L. in the passage and simulate, for myself as well as for him, great cheerfulness; and generally am cheerful, by the time breakfast is over. Does everyone go through this state? Why have I so little control? It is the case of much waste and pain in my life.

‘The truth!’ we demanded. Oh, the truth, she stammered, the truth has nothing to do with literature, and sitting down she refused to say another word. It all seemed to us very inconclusive.

A strange thing has happened -- while all the other arts were born naked, this, the youngest, has been born fully-clothed. It can say everything before it has anything to say. It is as if the savage tribe, instead of finding two bars of iron to play with, had found scattering the seashore fiddles, flutes, saxophones, trumpets, grand pianos by Erhard and Bechstein, and had begun with incredible energy, but without knowing a note of music, to hammer and thump upon them all at the same time.

“Like a work of art,” she repeated, looking from her canvas to the drawing-room steps and back again. She must rest for a moment. And, resting, looking from one to the other vaguely, the old question which transversed the sky of the soul perpetually, the vast, the general question which was apt to particularise itself at such moments as these, when she released faculties that had been on the strain, stood over her, paused over her, darkened over her. What is the meaning of life? That was all — a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that, and the other; herself and Charles Tansley and the breaking wave; Mrs. Ramsay bringing them together; Mrs. Ramsay saying, "Life stand still here"; Mrs. Ramsay making of the moment something permanent (as in another sphere Lily herself tried to make of the moment something permanent) — this was of the nature of a revelation. In the midst of chaos there was shape; this eternal passing and flowing (she looked at the cloud going and the leaves shaking) was struck into stability. Life stand still here, Mrs. Ramsay said. "Mrs. Ramsay! Mrs. Ramsay!" she repeated. She owed it all to her.

A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death.

A biography is considered complete if it merely accounts for six or seven selves, whereas a person may well have as many as a thousand.

A very elementary exercise in psychology, not to be dignified by the name of psycho-analysis, showed me, on looking at my notebook, that the sketch of the angry professor had been made in anger. Anger had snatched my pencil while I dreamt. But what was anger doing there? Interest, confusion, amusement, boredom--all these emotions I could trace and name as they succeeded each other throughout the morning. Had anger, the black snake, been lurking among them? Yes, said the sketch, anger had.

A book is not made of sentences laid end to end, but of sentences built, if an image helps, into arcades or domes.

A country life and breeding had preserved in them all a look which Mary hesitated to call either innocent or youthful, as she compared them, now sitting round in an oval, softly illuminated by candlelight; and yet it was something of the kind, yes, even in the case of the Rector himself. Though superficially marked with lines, his face was a clear pink, and his blue eyes had the long-sighted, peaceful expression of eyes seeking the turn of the road, or a distant light through rain, or the darkness of winter. She looked at Ralph. He had never appeared to her more concentrated and full of purpose; as if behind his forehead were massed so much experience that he could choose for himself which part of it he would display and which part he would keep to himself. Compared with that dark and stern countenance, her brothers' faces, bending low over their soup-plates, were mere circles of pink, unmolded flesh.

A desire for children, I suppose; for Nessa's life; for the sense of flowers breaking all round me involuntarily... Years and years ago, after the Lytton affair, I said to myself, walking up the hill at Bayreuth, never pretend that the things you haven't got are not worth having; good advice I think. And then I went on to say to myself that one must like things for themselves; or rather, rid them of their bearing upon one's personal life. One must venture on to the things that exist independently of oneself. Now this is very hard for young women to do. Yet I got satisfaction from it. And now, married to L., I never have to make the effort. Perhaps I have been too happy for my soul's good? And does some of my discontent come from feeling that?

I remember one morning...
getting up at dawn...
there was such a sense of possibility!
You know? That feeling?
And... and I remember thinking to myself:
'So this is the beginning of happiness...'
'This is where it starts!'
'And, of course, there'll always be more.'
Never occurred to me
it wasn't the beginning,
It was happiness.
It was the moment.

If we didn’t live venturously, plucking the wild goat by the beard, and trembling over precipices, we should never be depressed, I’ve no doubt; but already should be faded, fatalistic, and aged

The older one grows, the more one likes indecency.

Author Picture
First Name
Virginia
Last Name
Woolf, nee Stephen, fully Adeline Virginia Woolf
Birth Date
1882
Death Date
1941
Bio

English Writer