A man has a right to use a saw, an axe, a plane, separately; may he not combine their uses on the same piece of wood? He has a right to use his knife to cut his meat, a fork to hold it; may a patentee take from him the right to combine their use on the same subject? Such a law, instead of enlarging our conveniences, as was intended, would most fearfully abridge them, and crowd us by monopolies out of the use of the things we have.
Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out -- out -- to sea.
And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?
The Couch of Death -
The veiled evening walked solitary down the western hills, and Silence reposed in the valley; the birds of day were heard in their nests, rustling in brakes and thickets; and the owl and bat flew round the darkening trees: all is silent when Nature takes her repose.—In former times, on such an evening, when the cold clay breathed with life, and our ancestors, who now sleep in their graves, walked on the steadfast globe, the remains of a family of the tribes of Earth, a mother and a sister, were gathered to the sick bed of a youth. Sorrow linked them together; leaning on one another’s necks alternately—like lilies dropping tears in each other’s bosom—they stood by the bed like reeds bending over a lake, when the evening drops trickle down. His voice was low as the whisperings of the woods when the wind is asleep, and the visions of Heaven unfold their visitation. ‘Parting is hard and death is terrible; I seem to walk through a deep valley, far from the light of day, alone and comfortless! The damps of death fall thick upon me! Horrors stare me in the face! I look behind, there is no returning; Death follows after me; I walk in regions of Death, where no tree is, without a lantern to direct my steps, without a staff to support me.’ Thus he laments through the still evening, till the curtains of darkness were drawn. Like the sound of a broken pipe, the aged woman raised her voice. ‘O my son, my son, I know but little of the path thou goest! But lo! there is a God, who made the world; stretch out thy hand to Him.’ The youth replied, like a voice heard from a sepulchre, ‘My hand is feeble, how should I stretch it out? My ways are sinful, how should I raise mine eyes? My voice hath used deceit, how should I call on Him who is Truth? My breath is loathsome, how should He not be offended? If I lay my face in the dust, the grave opens its mouth for me; if I lift up my head, sin covers me as a cloak. O my dear friends, pray ye for me! Stretch forth your hands that my Helper may come! Through the void space I walk, between the sinful world and eternity! Beneath me burns eternal fire! O for a hand to pluck me forth!’ As the voice of an omen heard in the silent valley, when the few inhabitants cling trembling together; as the voice of the Angel of Death, when the thin beams of the moon give a faint light, such was this young man’s voice to his friends. Like the bubbling waters of the brook in the dead of night, the aged woman raised her cry, and said, ‘O Voice, that dwellest in my breast, can I not cry, and lift my eyes to Heaven? Thinking of this, my spirit is turned within me into confusion! O my child, my child, is thy breath infected? so is mine. As the deer wounded, by the brooks of water, so the arrows of sin stick in my flesh; the poison hath entered into my marrow.’ Like rolling waves upon a desert shore, sighs succeeded sighs; they covered their faces and wept. The youth lay silent, his mother’s arm was under his head; he was like a cloud tossed by the winds, till the sun shine, and the drops of rain glisten, the yellow harvest breathes, and the thankful eyes of the villagers are turned up in smiles. The traveller, that hath taken shelter under an oak, eyes the distant country with joy. Such smiles were seen upon the face of the youth: a visionary hand wiped away his tears, and a ray of light beamed around his head. All was still. The moon hung not out her lamp, and the stars faintly glimmered in the summer sky; the breath of night slept among the leaves of the forest; the bosom of the lofty hill drank in the silent dew, while on his majestic brow the voice of Angels is heard, and stringed sounds ride upon the wings of night. The sorrowful pair lift up their heads, hovering Angels are around them, voices of comfort are heard over the Couch of Death, and the youth breathes out his soul with joy into eternity.
God made bees, and bees made honey, God made man, and man made money, Pride made the devil, and the devil made sin; So God made a cole-pit to put the devil in.
Yet, so strong is the hold which the insidious evil of Communism secures upon its disciples, that I could still say to someone at that time: I know that I am leaving the winning side for the losing side, but it is better to die on the losing side than to live under Communism.
It [the grave] buries every error—covers every defect—extinguishes every resentment. From its peaceful bosom spring none but fond regrets and tender recollections. Who can look down upon the grave of an enemy and not feel a compunctious throb that he should have warred with the poor handful of dust that lies moldering before him?
It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet.
Ambition, old as mankind, the immemorial weakness of the strong
Improve memory and attention with scientific brain games.
Superstition, born of paganism and adopted by Judaism, invested the Christian Church from earliest times. All the fathers of the Church, without exception, believed in the power of magic. The Church always condemned magic, but she always believed in it: she did not excommunicate sorcerers as madmen who were mistaken, but as men who were really in communication with the devil.
If we help an educated man's daughter to go to Cambridge are we not forcing her to think not about education but about war? - not how she can learn, but how she can fight in order that she might win the same advantages as her brothers?
If woman had no existence save in the fiction written by men, one would imagine her a person of the utmost importance; very various; heroic and mean; splendid and sordid; infinitely beautiful and hideous in the extreme; as great as a man, some think even better.
Well, I really don't advise a woman who wants to have things her own way to get married.
We know we can do nothing about that. No one dares get between an American and his right to consume.
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
You can make fun with Saddam Hussein jokes ... but you can't make fun of, say, the concentration camps. I think my target was not so much evil, but benign stupidity: People doing stupid things without realizing or, instead, thinking they were doing good.
A stupid friend is a greater plague than a wise enemy.
Camila was quite incapable of establishing any harmony between the claims of her art, of her appetites, or her dreams, and of her crowded daily routine. Each of these was a world in itself.
The mind of Caesar. It is the reverse of most men's. It rejoices in committing itself. To us arrive each day a score of challenges; we must say yes or no to decisions that will set off chains of consequences. Some of us deliberate; some of us refuse the decision, which is itself a decision; some of us leap giddily into the decision, setting our jaws and closing our eyes, which is the sort of decision of despair. Caesar embraces decision. It is as though he felt his mind to be operating only when it is interlocking itself with significant consequences. Caesar shrinks from no responsibility. He heaps more and more upon his shoulders.
The unencumbered stage encourages the truth operative in everyone. The less seen, the more heard. The eye is the enemy of the ear in real drama.