The way towards 'wisdom' or towards 'freedom' is the way towards your inner being. This is the simplest definition of metaphysics.
Myth is an extremely complex cultural reality, which can be approached and interpreted from various and complementary viewpoints.
Speaking for myself, the definition that seems least inadequate because most embracing is this: Myth narrates a sacred history; it relates an event that took place in primordial Time, the fabled time of the "beginnings." In other words myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality — an island, a species of plant, a particular kind of human behavior, an institution. Myth, then, is always an account of a "creation"; it relates how something was produced, began to be. Myth tells only of that which really happened, which manifested itself completely. The actors in myths are Supernatural Beings. They are known primarily by what they did in the transcendent times of the "beginnings." hence myths disclose their creative activity and reveal the sacredness (or simply the "supernaturalness") of their works. In short, myths describe the various and sometimes dramatic breakthroughs of the sacred (or the "supernatural") into the World. It is this sudden breakthrough of the sacred that really establishes the World and makes it what it is today. Furthermore, it is as a result of the intervention of Supernatural Beings that man himself is what he is today, a mortal, sexed, and cultural being.
Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom of art. For if art is freedom of the spirit, how can it exist within the oppressors?
Perhaps the best definition of progress would be the continuing efforts of men and women to narrow the gap between the convenience of the powers that be and the unwritten charter.
Artists, by definition innocent, don't steal. But they do borrow without giving back.
Faith is the state of being ultimately concerned. The content matters infinitely for the life of the believer, but it does not matter for the formal definition of faith. And this is the first step we have to make in order to understand the dynamics of faith.
He resented such questions as people do who have thought a great deal about them. The superficial and slipshod have ready answers, but those looking this complex life straight in the eye acquire a wealth of perception so composed of delicately balanced contradictions that they dread, or resent, the call to couch any part of it in a bland generalization. The vanity (if not outrage) of trying to cage this dance of atoms in a single definition may give the weariness of age with the cry of youth for answers the appearance of boredom.
There is only one valid definition of business purpose: to create a customer… Because it is its purpose to create a customer, any business enterprise has two — and only these two—basic functions: marketing and innovation… Marketing is so basic that it is not just enough to have a strong sales department and to entrust marketing to it. Marketing is not only much broader than selling; it is not a specialized activity at all. It encompasses the entire business. It is the whole business seen from the point of view of its final result, that is from the customer’s point of view. Concern and responsibility for marketing must therefore permeate all areas of the enterprise.
The basic definition of the business and of its purpose and mission have to be translated into objectives.
In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently, the biggest crimes actually escape being called crimes. This limitation of the field of vision of criminology together with the absence of an exact and permanent definition of the concept of crime is one of the chief characteristics of our culture.
Without its meanings, a book --say Plato's Republic-- simply becomes a physical (paper) object possessed of a certain geometrical form, with certain physical and chemical properties which are noticeable even to mice and which they may nibble now and then. On the other hand, the meaning of Plato's Republic can be objectified and "materialized" not only in the paper book, but through quite different physical media, such as phonograph records, or air-waves when it is just read aloud or sung, or other physical "vehicles". Physically and biologically there are no human organisms that are "kings", "patriarchs", "popes", "generals", "scientists", "laborers", "peasants", "merchants", "prisoners", "criminals", "heroes", "saints", and so on. All these and thousands of other 'meanings' are superimposed upon the biological organisms by the sociocultural world or by persons and groups functioning not only as physical objects and biological organisms but mainly as 'mindful human personalities,' as bearers, creators, and agents of 'immaterial' meanings, values and norms. Thus any phenomenon that is an 'incarnation' or 'objectification' of mind and meanings superimposed upon its physical and biological properties is by definition a sociocultural phenomenon.
The definition of insanity is doing the same thing over again and expecting a different outcome.
The two-word definition of sustainability is 'one planet.
Ecological footprint analysis has gained considerable momentum around the world as both heuristic device and practical method for assessing sustainability. This success derives in part from methodological strengths of EFA that are both scientifically well founded and reflect thinking people’s intuitive sense of reality. On the technical/scientific side, EFA has several qualities that reinforce its credibility as a sustainability indicator. The method:
acknowledges that humans are biophysical entities that make constant metabolic demands on their supportive ecosystems and that all our manufactured capital and related cultural artefacts impose a parallel and much larger industrial metabolism on the ecosphere;
recognizes the crucial role of natural capital and natural income (biophysical stocks and flows) in economic development and sustainability;
accepts that the economy is a fully contained, growing, dependent, sub-system of the non-growing ecosphere;
recognizes the second law of thermodynamics as the ultimate governor of material transformations and economic activity (Georgescu-Roegen 1971, Daly 1991) and that beyond a certain (optimal) scale, the growth and maintenance human enterprise must necessarily accelerate the entropic disordering and dissipation of the ecosphere;
is closely related conceptually to Odum’s the embodied energy (emergy) analyses (see Hall 1995) and the ‘environmental space’ concept of the Sustainable Europe Campaign (Carley and Spapens 1998).
accounts for both population size and resource consumption in estimating of appropriated ecosystem area. This aligns EFA closely with Catton’s (1980) concept of human ‘load’ (population times per capita consumption);
corresponds closely to and incorporates all the factors in Ehrlich’s and Holdren’s (1971) well-known definition of human impact on the environment: I = PAT, where ‘I’ is impact, ‘P’ is population, ‘A’ is affluence (i.e., level of consumption) and ‘T’ is a technology scalar.
For, like almost everyone else in our country, I started out with my share of optimism. I believed in hard work and progress and action, but now, after first being 'for' society and then 'against' it, I assign myself no rank or any limit, and such an attitude is very much against the trend of the times. But my world has become one of infinite possibilities. What a phrase - still it's a good phrase and a good view of life, and a man shouldn't accept any other; that much I've learned underground. Until some gang succeeds in putting the world in a strait jacket, its definition is possibility.
I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry.
The definition of salesmanship is the gentle art of letting the customer have it your way.
If I may I would like to recite the Pledge of Allegiance and give you a definition for each word. I: me, an individual, a committee of one. Pledge: dedicate all of my worldly goods to give without self-pity. Allegiance: my love and my devotion. To the Flag: our standard, Old Glory, a symbol of freedom. Wherever she waves, there is respect because your loyalty has given her a dignity that shouts freedom is everybody
The human mind is so complex and things are so tangled up with each other that, to explain a blade of straw, one would have to take to pieces an entire universe. A definition is a sack of flour compressed into a thimble.
I think the definition of an artist is not necessarily tied into excellence or talent; an artist is somebody who, if you took away their freedom to make art, would lose their mind.