The continual search for happiness is a primary reason that so many people are miserable. If you make happiness your goal, you are almost certainly destined to fail. You will be on a continual roller coaster, changing from successful to unsuccessful with every mood change. Life is uncertain, and emotions aren’t stable. Happiness simply cannot be relied upon as a measure of success.
Every error is caused by emotions and education (implicit and explicit); intellect by itself (not disturbed by anything outside) could not err.
The effective in art is what rapes the emotions of your audience without nourishing its values.
Love is an ocean of emotions entirely surrounded by expenses.
The makers of our Constitution undertook to secure conditions favorable to the pursuit of happiness. They recognized the significance of man's spiritual nature, of his feelings and of his intellect. They knew that only a part of the pain, pleasure and satisfactions of life are to be found in material things. They sought to protect Americans in their beliefs, their thoughts, their emotions and their sensations. They conferred, as against the government, the right to be let alone -- the most comprehensive of rights and the right most valued by civilized men.
The pleasant life: a life that successfully pursues the positive emotions about the present, past, and future.
The good life: using your signature strengths to obtain abundant gratification in the main realms of your life.
The meaningful life: using your signature strengths and virtues in the service of something much larger than you are.
The sign of an intelligent people is their ability to control emotions by the application of reason.
Negative emotions keeps us where we are. If you are negative it is always your fault
Thus I define religion as the awareness – accompanied by the emotions and determined by them – of dependence from something, defined by the tradition, which at the given stage of cultural evolution of man exceeds his cognitive capabilities; this awareness then causes in man, under the action of emotions and tradition, volitive states leading to an endeavor to change somehow the supposed dependence or at least perform some influence on what the man of given cultural stage considers to be the cause of the dependence.
If you hold back on the emotions - if you don't allow yourself to go all the way through them you can never get to being detached, you're too busy being afraid. You're afraid of the pain, you're afraid of the grief. You're afraid of the vulnerability that loving entails. But by throwing yourself into these emotions, by allowing yourself to dive in, all the way, over your head even ,you experience them fully and completely You know what pain is. You know what love is. You know what grief is. And only then can you say, "Alright I have experienced that emotion. I recognize that emotion. Now I need to detach from that emotion for a moment.
I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success....Such emotions make a man forget food, sleep, friends, love, everything.
The richer–that is, the more varied and complete–the individual’s emotional life, the less is he driven to projection, and the more will he incline to identification. His outlet and satisfaction comes in identifying himself with the emotions of the other. On the other hand, the narrower and more restricted the individual’s emotional life, the more intense will be his fewer emotions, the less will he be inclined to, and capable of, identification–the lack of which he has to compensate for by projection. Projection thus proves to be a compensatory mechanism that adjusts for an inner lack. Identification, on the other hand, is an expression of abundance, of the desire for union, for alliance, for sharing.
The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web.
Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good... Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision... You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only.
The artist is a receptacle for emotions derived from anywhere: from the sky, from the earth, from a piece of paper, from a passing figure, from a spider’s web. This is ’s web. This is why one must not make a distinction between things. For them there are no aristocratic quarterings. One must take things where one finds them.
By constant self-indulgence, the ordinary person remains sense-ensnared. He finds himself limited to enjoyments connected only with the surface of the flesh. This sense pleasure yields a fleeting happiness, but shuts off the manifestation of the subtle, more pure and lasting enjoyments—the taste of silent blessedness and the innumerable blissful perceptions that appear whenever the meditating yogi's consciousness is turned from the outer sensory world to the inner cosmos of Spirit. The transient, misleading physical sense emotions are a poor substitute for heaven!
As his mind becomes purer and his emotions come under control, his thoughts become clearer and his instincts truer. As he learns to live more and more in harmony with his higher Self, his body's natural intuition becomes active of itself. The result is that false desires and unnatural instincts which have been imposed upon it by others or by himself will become weaker and weaker and fall away entirely in time. This may happen without any attempt to undergo an elaborate system of self-discipline on his part: yet it will affect his way of living, his diet, his habits. False cravings like the craving for smoking tobacco will vanish of their own accord; false appetites like the appetite for alcoholic liquor or flesh food will likewise vanish; but the more deep-seated the desire, the longer it will take to uproot it--except in the case of some who will hear and answer a heroic call for an abrupt change.
Genius is the ability to renew one's emotions in daily experience.
Have the courage to analyze great emotions to create characters who shall be lofty and true. The whole art of the analytical novel lies there.
Our emotions rise to meet the force coming from the screen, and they go on rising throughout our movie-going lives.