The Divine Mind communicates with the human mind through the imagination. A prayer, therefore, should be offered in the form of a mental image. Man must visualize the thing he desires, he must use his imaginative powers to form his petition in terms clearly outlined in his own mind. The profound concentration of attention and thought which this form of prayer requires fills also the heart with deep earnestness and devotion. Man must pray whole-heartedly as well as wholemindedly; he must believe in his heart that his well-being depends completely upon his prayer.
Man is free in his imagination, but bound by his reason.
Have you ever rightly considered what the mere ability to read means? That it is the key which admits us to the whole world of thought and fancy and imagination? to the company of the saint and sage, of the wisest and the wittiest at their wisest and wittiest moment? That it enables us to see with the keenest eyes, hear with the finest ears, and listen to the sweetest voices of all time? More than that, it annihilates time and space for us.
Imagination, where it is truly creative, is a faculty, not a quality; its seat is in the higher reason, and it is efficient only as the servant of the will. Imagination, as too often understood, is mere fantasy - the image-making power, common to all who have the gift of dreams.
In taste and imagination, in the graces of style, in the arts of persuasion, in the magnificence of public works, the ancients were at least our equals.
Take two workers in an organization. One limits his giving by wages he is paid. He insists on being paid instantly for what he does. That shows he is a man of limited imagination and intelligence. The other is a natural giver. His philosophy of life compels him to make himself useful. He knows that if he takes care of other people's problems they will be forced to take care of him to protect their own interests. The more a man gives of himself to his work, the more he will get out of it, both in wages and satisfaction.
Conspicuous waste beyond the imagination of Thorstein Veblen has become the mark of American life. As a nation we find ourselves overbuilt, if not overhoused; overfed, although millions of poor people are undernourished; overtransported in overpowered cars; and also... overdefended or overdefensed.
The Imagination makes us transcendent of Time and we see what is gorgeous.
We are what we imagine. Our very existence consists in our imagination of ourselves... The greatest tragedy that can befall us is to go unimagined.
Many things seem greater by imagination than be effect.
Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.
The plays of natural lively children are the infancy of art. Children live in a world of imagination and feeling. They invest the most insignificant object with any form they please, and see in it whatever they wish to see.
Great strides in human progress are being made by men who delve deeply into the imagination, then through the medium of hard work, bring fancy into reality.
War is, after all, the universal perversion. We are all tainted: if we cannot experience our perversion at first hand we spend our time reading war stories, the pornography of war; or seeing war films, the blue films of war; or titillating our senses with the imagination of great deeds, the masturbation of war.
Romances, in general, are calculated rather to fire the imagination than to inform the judgment.
The world of reality has its limits; the world of imagination is boundless. Not being able to enlarge the one, let us contract the other; for it is from their difference that all evils arise which render us unhappy.
As long as man dwells in a state of pure nature (I mean pure and not coarse nature), all his being acts at once like a simple sensuous unity, like a harmonious whole. The senses and reason, the receptive faculty and the spontaneously active faculty, have not been as yet separated in their respective functions; a priori they are not yet in contradiction to each other. Then the feelings of man are not the formless play of chance; nor are his thoughts an empty play of imagination, without any value. His feelings proceed from the law of necessity, his thoughts from reality. But when man enters the state of civilization, and art has fashioned him, this sensuous harmony which was in him disappears, and henceforth he can only manifest himself as a moral unity, that is, as aspiring to unity. The harmony that existed as a fact in the former state, the harmony of feeling and thought, only exists in an ideal state. It is no longer in him, but out of him; it is a conception of thought which he must begin by realizing in himself; it is no longer a fact, a reality of his life.
Union does everything when it is perfect; it satisfies desires, it simplifies needs, it foresees the wishes of the imagination; it is an aisle always open, and becomes a constant fortune.
The works of a person that builds begin immediately to decay, while those of him who plants begin directly to improve. In this, planting promises a more lasting pleasure than building; which, were it to remain in equal perfection, would at best begin to moulder and want repairs in imagination. Now trees have a circumstance that suits our taste and that is annual variety.
To believe in something not yet proved and to underwrite it with our lives; it is the only way we can leave the future open. Man, surrounded by facts, permitting himself no surprise, no intuitive flash, no great hypothesis, no risk, is in a locked cell. Ignorance cannot seal the mind and imagination more securely.