American Writer, Philosopher, Historian, Teacher, Sociologist and Literary Critic
"Unable to create a meaningful life for itself, the personality takes its own revenge: from the lower depths comes a regressive form of spontaneity: raw animality forms a counterpoise to the meaningless stimuli and the vicarious life to which the ordinary man is conditioned. Getting spiritual nourishment from this chaos of events, sensations, and devious interpretations is the equivalent of trying to pick through a garbage pile for food. "
"Sport in the sense of a mass-spectacle, with death to add to the underlying excitement, comes into existence when a population has been drilled and regimented and depressed to such an extent that it needs at least a vicarious participation in difficult feats of strength or skill or heroism in order to sustain its waning life-sense."
"We have created an industrial order geared to automatism, where feeble-mindedness, native or acquired, is necessary for docile productivity in the factory; and where a pervasive neurosis is the final gift of the meaningless life that issues forth at the other end. "
"Adding highway lanes to deal with traffic congestion is like loosening your belt to cure obesity."
"Any social transformation... is based on new metaphysical and ideological bases, or rather on deeper emotions and intuitions, which streamlined speech takes the form of the cosmos and the nature of man."
"As opposed to [megatechnics], an organic system directs itself to qualitative richness, amplitude, spaciousness, free from quantitative pressure and crowding, since self-regulation, self-correction, and self-propulsion are as much an integral property of organisms as nutrition, reproduction, growth, and repair. Balance, wholeness, completeness, continuous interplay between inner and outer, the subjective and the objective aspects of existence are identifying characteristics of the organic model; and the general name for an economy based on such a model is an economy of plenitude."
"Because of their origin and purpose, the meanings of art are of a different order from the operational meanings of science and technics: they relate, not to external means and consequences, but to internal transformations, and unless it produce these internal transformations the work of art is either perfunctory or dead."
"By fashion and built-in obsolescence the economies of machine production, instead of producing leisure and durable wealth, are duly cancelled out by the mandatory consumption on an even larger scale."
"But what would become of mass production and its system of financial expansion if technical perfection, durability, social efficiency, and human satisfaction were the guiding aims. The very conditions for current financial success ? constantly expanding production and replacement ? works against these ends. To ensure the rapid absorption of its immense productivity, megatechnics resorts to a score of different devices: consumer credit, installment buying, multiple packaging, non-functional designs, meretricious novelties, shoddy materials, defective workmanship, built-in fragility, or forced obsolescence through frequent arbitrary changes of fashion. Without constant enticement and inveiglement by advertising, production would slow down and level off to normal replacement demand. Otherwise many products could reach a plateau of efficient design which would call for only minimal changes from year to year."
"But the human mind possesses a special advantage over the brain: for once it has created impressive symbols and has stored significant memories, it can transfer its characteristic activities to materials like to stone and paper that outlast the original brain's brief life-span. When the organism dies, the brain dies, too, with all its lifetime accumulations. But the mind reproduces itself by transmitting its symbols to other intermediaries, human and mechanical, than the particular brain that first assembled them."
"Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if A Midsummer Night's Dream was really a dream?"
"Failing to divide its social chromosomes and split up into new cells, each bearing some portion of the original inheritance, the city continues to grow inorganically, indeed cancerously, by a continuous breaking down of old tissues, and an overgrowth of formless new tissue. Here the city has absorbed villages and little towns, reducing them to place names, like Manhattanville and Harlem in New York; there it has, more happily, left the organs of local government and the vestiges of an independent life, even assisted their revival, as in Chelsea and Kensington in London; but it has nevertheless enveloped those areas in its physical organization and built up the open land that once served to ensure their identity and integrity."
"Here was my city, immense, overpowering, flooded with energy and light... The world, at that moment , opened before me, challenging me, beckoning me, demanding something of me that it would take more than a lifetime to give, but raising all my energies by its own vivid promise to a higher pitch."
"However far modern science and techniques have fallen short of their inherent possibilities, they have taught mankind at least one lesson: Nothing is impossible."
"Every new baby is a blind desperate vote for survival: people who find themselves unable to register an effective political protest against extermination do so by a biological act."
"I would die happy if I knew that on my tombstone could be written these words, "This man was an absolute fool. None of the disastrous things that he reluctantly predicted ever came to pass!""
"Humor is our way of defending ourselves from life's absurdities by thinking absurdly about them."
"If we are to create balanced human beings, capable of entering into world-wide co-operation with all other men of good will ? and that is the supreme task of our generation, and the foundation of all its other potential achievements ? we must give as much weight to the arousal of the emotions and to the expression of moral and esthetic values as we now give to science, to invention, to practical organization. One without the other is impotent. And values do not come ready-made: they are achieved by a resolute attempt to square the facts of one's own experience with the historic patterns formed in the past by those who devoted their whole lives to achieving and expressing values. If we are to express the love in our own hearts, we must also understand what love meant to Socrates and Saint Francis, to Dante and Shakespeare, to Emily Dickinson and Christina Rossetti, to the explorer Shackleton and to the intrepid physicians who deliberately exposed themselves to yellow fever. These historic manifestations of love are not recorded in the day's newspaper or the current radio program: they are hidden to people who possess only fashionable minds."
"If, as many anthropologists still hold, the making and using of tools as one of the chief sources of primitive man's intellectual development, is it not time that we asked ourselves what will happen to man if he departs as completely as he now threatens to do from his primal polytechnic occupations? Since they can no longer be pursued at a profit, perhaps they will have to be restored as modes of sport and recreation, even more as helpful ? increasingly essential ? forms of personal service and mutual aid."
"If we are to prevent megatechnics from further controlling and deforming every aspect of human culture, we shall be able to do so only with the aid of a radically different model derived directly, not from machines, but from living organisms and organic complexes (ecosystems). What can be known about life only through the process of living ? and so is part of even the humblest organisms ? must be added to all the other aspects that can be observed, abstracted, measured. ... Once an organic world picture is in the ascendant, the working aim of an economy of plenitude will be not to feed more human functions into the machine, but to develop further man's incalculable potentialities for self-actualization and self-transcendence, taking back into himself deliberately many of the activities he has too supinely surrendered into the mechanical system."
"In general, the traditionalists are backward-looking, conservative; pessimists about the future and optimists about the past."
"In its revolt against congestion and disorder, a space-hungry generation has, I fear, developed eyes that are bigger than its stomach."
"In my own household, for example, an electric refrigerator has been in service for nineteen years, with only a single minor repair: an admirable job. Both automatic refrigerators for daily use and deepfreeze preservation are inventions of permanent value. Though one cannot bestow any such unqualified commendation upon the design of the contemporary motor car, one can hardly doubt that if biotechnic criteria were heeded, rather than those of market analysts and fashion experts, an equally good product might come forth from Detroit, with an equally long prospect of continued use."
"In the elemental emotions of fear and rage associated with the most primitive parts of the brain, this swift response without conscious intervention or direction is a condition of survival: but something more than survival comes forth from it; for this very automatism freed the growing brain and ramifying nervous system for more important services, detached from the immediate pressure for survival, performed by the new brain. Here by his conscious symbolic activities man created a second realm that conforms more closely to his higher personal and social needs."
"In the mass movement into the suburban areas a new kind of community was produced, which caricatured both the historic city and the archetypal suburban refuge: a multitude of uniform, unidentifiable houses, lined up inflexibly, at uniform distances, on uniform roads, in a treeless communal waste, inhabited by people of the same class, the same income, the same age group, witnessing the same television performances, eating the same tasteless prefabricated foods, from the same freezers, conforming in every outward and inward respect to a common mold, manufactured in the central metropolis. Thus the ultimate effect of the suburban escape in our time is, ironically, a low-grade uniform environment from which escape is impossible.?"
"It has not been for nothing that the word has remained man's principal toy and tool: without the meanings and values it sustains, all man's other tools would be worthless."
"Let us fool ourselves no longer. At the very moment Western nations, threw off the ancient regime of absolute government, operating under a once-divine king, they were restoring this same system in a far more effective form in their technology, reintroducing coercions of a military character no less strict in the organization of a factory than in that of the new drilled, uniformed, and regimented army. During the transitional stages of the last two centuries, the ultimate tendency of this system might b e in doubt, for in many areas there were strong democratic reactions; but with the knitting together of a scientific ideology, itself liberated from theological restrictions or humanistic purposes, authoritarian technics found an instrument at hand that h as now given it absolute command of physical energies of cosmic dimensions. The inventors of nuclear bombs, space rockets, and computers are the pyramid builders of our own age: psychologically inflated by a similar myth of unqualified power, boasting through their science of their increasing omnipotence, if not omniscience, moved by obsessions and compulsions no less irrational than those of earlier absolute systems: particularly the notion that the system itself must be expanded, at whatever eventual cost to life."
"Life is an art we are required to practice without preparation, a score that we play at sight even before we have mastered our instruments."
"It is our utopias that make the world tolerable to us: the cities and mansions that people dream of are those in which they finally live."
"Max Beer, in his History of British Socialism, points out that Bacon looked for the happiness of mankind chiefly in the application of science and industry. But by now it is plain that if this alone were sufficient, we could all live in heaven tomorrow. Beer points out that More, on the other hand, looked to social reform and religious ethics to transform society; and it is equally plain that if the souls of men could be transformed without altering their material and institutional activities, Christianity, Mohammedanism, and Buddhism might have created an earthly paradise almost any time this last two thousand years. The truth is, as Beer sees, that these two conceptions are still at war with each other: idealism and science continue to function in separate compartments; and yet "the happiness of man on earth" depends upon their combination."
"Mechanical instruments, potentially a vehicle of rational human purposes, are scarcely a blessing when they enable the gossip of the village idiot and the deeds of the thug to be broadcast to a million people each day."
"Modern Man is the victim of the very instruments he values most. Every gain in power, every mastery of natural forces, every scientific addition to knowledge, has proved potentially dangerous, because it has not been accompanied by equal gains in self-understanding and self-discipline."
"Moment to moment, it turns out, is not God?s conception, or nature?s. It is man conversing with himself about and through a piece of machinery he created. We effectively became time-keepers, and then time-savers, and now time-servers with the invention of the clock."
"Nothing is permanent: certainly not the frozen images of barbarous power with which fascism now confronts us. Those images may easily be smashed by an external shock, cracked as ignominiously as the fallen Dagon, the massive idol of the heathen; or they may be melted, eventually, by the internal warmth of normal men and women. Nothing endures except life: the capacity for birth, growth, and renewal. As life becomes insurgent once more in our civilization, conquering the reckless thrust of barbarism, the culture of cities will be both instrument and goal."
"Now life is the only art that we are required to practice without preparation, and without being allowed the preliminary trials, the failures and botches, that are essential for the training of a mere beginner. In life, we must begin to give a public performance before we have acquired even a novice's skill; and often our moments of seeming mastery are upset by new demands, for which we have acquired no preparatory facility. Life is a score that we play at sight, not merely before we have divined the intentions of the composer, but even before we have mastered our instruments; even worse, a large part of the score has been only roughly indicated, and we must improvise the music for our particular instrument, over long passages. On these terms, the whole operation seems one of endless difficulty and frustration; and indeed, were it not for the fact that some of the passages have been played so often by our predecessors that, when we come to them, we seem to recall some of the score and can anticipate the natural sequence of the notes, we might often give up in sheer despair. The wonder is not that so much cacophony appears in our actual individual lives, but that there is any appearance of harmony and progression."
"On one side is the gigantic printing press, a miracle of fine articulation, which turns out the tabloid newspaper: on the other side are the contents of the tabloid itself, symbolically recording the most crude and elementary states of emotion."
"One of the marks of maturity is the need for solitude: a city should not merely draw men together in many varied activities, but should permit each person to find, near at hand, moments of seclusion and peace."
"Only when love takes the lead will the earth, and life on earth, be safe again. And not until then."
"Restore human legs as a means of travel. Pedestrians rely on food for fuel and need no special parking facilities."
"That was the danger Samuel Butler jestingly prophesied in Erewhon, the danger that the human being might become a means whereby the machine perpetuated itself and extended its dominion."
"The artist has a special task and duty; the task of reminding men of their humanity and the promise of their creativity."
"The artist does not illustrate science (but) he frequently responds to the same interests that a scientist does."