This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Ernest Hemingway, fully Ernest Miller Hemingway
How much better to die in all the happy period of undisillusioned youth, to go out in a blaze of light, than to have your body worn out and old and illusions shattered.
Learning | Life | Life | Little | Man | Nothing | Thought | Time | Wonder | Old | Think | Thought |
We saw that there really was no way to overcome the real dilemma of existence, the one of the mortal animal who at the same time is conscious of his mortality. A person spends years coming into his own, developing his talent, his unique gifts, perfecting his discriminations about the world, broadening and sharpening his appetite, learning to bear the disappointments of life, becoming mature, seasoned—finally a unique creature in nature, standing with some dignity and nobility and transcending the animal condition; no longer driven, no longer a complete reflex, not stamped out of any mold. And then the real tragedy, as Andre Malraux wrote in The Human Condition: that it takes sixty years of incredible sufferÂing and effort to make such an individual, and then he is good only for dying. This painful paradox is not lost on the person himself—least of all himself. He feels agonizingly unique, and yet he knows that this doesn't make any difference as far as ultimates are concerned. He has to go the way of the grasshopper, even though it takes longer.
Comfort | Despair | Destroy | Doubt | Dread | Failure | Ideas | Joy | Life | Life | Little | Man | Reality | Self-knowledge | Sense | Failure |
Ernest Hemingway, fully Ernest Miller Hemingway
But in the night he woke and held her tight as though she were all of life and it was being taken from him. He held her feeling she was all of life there was and it was true.
If you get rid of the four-layered neurotic shield, the armor that covers the characterological lie about life, how can you talk about “enjoying” this Pyrrhic victory? The person gives up something restricting and illusory, it is true, but only to come face to face with something even more awful: genuine despair. Full humanness means full fear and trembling, at least some of the waking day. When you get a person to emerge into life, away from his dependencies, his automatic safety in the cloak of someone else's power, what joy can you promise him with the burden of his aloneness? When you get a person to look at the sun as it bakes down on the daily carnage taking place on earth, the ridiculous accidents, the utter fragility of life, the powerÂlessness of those he thought most powerful—what comfort can you give him from a psychotherapeutic point of view? Luis Buimel likes to introduce a mad dog into his films as counterpoint to the secure daily routine of repressed living. The meaning of his symÂbolism is that no matter what men pretend, they are only one acÂcidental bite away from utter fallibility. The artist disguises the incongruity that is the pulse-beat of madness but he is aware of it. What would the average man do with a full consciousness of abÂsurdity? He has fashioned his character for the precise purpose of putting it between himself and the facts of life; it is his special tour-de-force that allows him to ignore incongruities, to nourish himself on impossibilities, to thrive on blindness. He accomplishes thereby a peculiarly human victory: the ability to be smug about terror. Sartre has called man a "useless passion" because he is so hopelessly bungled, so deluded about his true condition. He wants to be a god with only the equipment of an animal, and so he thrives on fantasies. As Ortega so well put it in the epigraph we have used for this chapter, man uses his ideas for the defense of his existence, to frighten away reality. This is a serious game, the defense of one's existence—how take it away from people and leave them joyous?
Absolute | Character | Discussion | Dread | Faith | Feelings | Heart | Hero | Life | Life | Man | Meaning | Mystery | Psychology | Religion | Self | Service | Time | Value |
Ernest Bramah, born Ernest Brammah Smith
Alas! It is well written, "The road to eminence lies through the cheap and exceedingly uninviting eating-houses."
Ernest Hemingway, fully Ernest Miller Hemingway
But man is not made for defeat, he said. A man can be destroyed but not defeated.
Ernest Hemingway, fully Ernest Miller Hemingway
I could not fail myself and die on a fish like this, he said. Now that I have him coming so beautifully, God help me endure. I'll say a hundred Our Fathers and a hundred Hail Marys. But I cannot say them now. Consider them said, he thought. I'll say them later.
Erma Bombeck, fully Erma Louise Bombeck, born Erma Fiste
When my kids become wild and unruly, I use a nice, safe playpen. When they're finished, I climb out.
If we put this whole progression in terms of our discussion of the possibilities of heroism, it goes like this: Man breaks through the bounds of merely cultural heroism; he destroys the character lie that had him perform as a hero in the everyday social scheme of things; and by doing so he opens himself up to infinity, to the posÂsibility of cosmic heroism, to the very service of God. His life thereby acquires ultimate value in place of merely social and culÂtural, historical value. He links his secret inner self, his authentic talent, his deepest feelings of uniqueness, his inner yearning for absolute significance, to the very ground of creation. Out of the ruins of the broken cultural self there remains the mystery of the private, invisible, inner self which yearned for ultimate significance, for cosmic heroism. This invisible mystery at the heart of every creature now attains cosmic significance by affirming its connection with the invisible mystery at the heart of creation. This is the meaning of faith. At the same time it is the meaning of the merger of psychology and religion in Kierkegaard's thought. The truly open person, the one who has shed his character armor, the vital lie of his cultural conditioning, is beyond the help of any mere "science," of any merely social standard of health. He is absolutely alone and trembling on the brink of oblivion—which is at the same time the brink of infinity. To give him the new support that he needs, the "courage to renounce dread without any dread . . . only faith is capable of," says Kierkegaard. Not that this is an easy out for man, or a cure-all for the human condition—Kierkegaard is never facile. He gives a strikingly beautiful idea:
Life | Life | Man | Meaning | Means | Panic | Terror | Truth | Universe | Think |
We said that the point was that even with the highest personal development and liberation, the person comes up against the real despair of the human condition. Indeed, because of that developÂment his eyes are opened to the reality of things; there is no turnÂing back to the comforts of a secure and armored life. The person is stuck with the full problem of himself, and yet he cannot rely on himself to make any sense out of it. For such a person, as Camus said, "the weight of days is dreadful." What does it mean, then, we questioned in Chapter Four, to talk fine-sounding phrases like "Being cognition," "the fully centered person," "full humanism," "the joy of peak experiences," or whatever, unless we seriously qualify such ideas with the burden and the dread that they also carry? Finally, with these questions we saw that we could call into doubt the pretensions of the whole therapeutic enterprise. What joy and comfort can it give to fully awakened people? Once you accept the truly desperate situation that man is in, you come to see not only that neurosis is normal, but that even psychotic failure represents only a little additional push in the routine stumbling along life's way. If repression makes an untenable life liveable, self-knowledge can entirely destroy it for some people.
Anxiety | Anxiety | Death | Experience | Fear | Life | Life |
Ernest Hemingway, fully Ernest Miller Hemingway
I did not care what it was all about. All I wanted to know was how to live in it. Maybe if you found out how to live in it you learned from that what is was all about.
Ernest Hemingway, fully Ernest Miller Hemingway
He thought of the Riviera, as it was then before it had all been built up, with the lovely stretches of blue sea and the sand beaches and the stretches of pine woods and the mountains of the Esterel going out into the sea. He remembered it as it was when he and Zelda had first found it before people went there for the summer.
Ernest Hemingway, fully Ernest Miller Hemingway
His decision had been staying in deep and dark, away from all the traps and bait and betrayals. My decision was to go there to look, beyond all people. Beyond all people in the world. Now we are alone each other and has been since noon. And anyone who comes to avail ourselves, either him or me.
Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is hapÂpening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.
Choice | Dignity | Dishonor | Family | Freedom | Self | Surrender |
Ernest Hemingway, fully Ernest Miller Hemingway
All our words from loose using have lost their edge.
Ernest Hemingway, fully Ernest Miller Hemingway
Do you know that in about thirty-five more years we'll be dead? What the hell, Robert, I said. What the hell. I'm serious. ItÂ’s one thing I don't worry about, I said. You ought to. I've had plenty to worry about one time or other. I'm through worrying. Well, I want to go to South America. Listen, Robert, going to another country doesn't make any difference. I've tried all that. You can't get away from yourself by moving from one place to another. There's nothing to that. But you've never been to South America. South America hell! If you went there the way you feel now it would be exactly the same. This is a good town. Why don't you start living your life in Paris?