Anne Dillard

Anne
Dillard
1945

American Author, Poet, Essayist, Winner of Pulitzer

Author Quotes

What does it feel like to be alive? Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling! It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.

What geomancy reads what the windblown sand writes on the desert rock? I read there that all things live by a generous power and dance to a mighty tune; or I read there all things are scattered and hurled, that our every arabesque and grand jete is a frantic variation on our one free fall.

We live in all we seek. The hidden shows up in too-plain sight. It lives captive on the face of the obvious - the people, events, and things of the day - to which we as sophisticated children have long since become oblivious. What a hideout: Holiness lies spread and borne over the surface of time and stuff like color.

We sleep to time's hurdy-gurdy; we wake, if ever we wake, to the silence of God. And then, when we wake to the deep shores of time uncreated, then when the dazzling dark breaks over the far slopes of time, then it's time to toss things, like our reason, and our will; then it's time to break our necks for home. There are no events but thoughts and the heart's hard turning, the heart's slow learning where to love and whom. The rest is merely gossip, and tales for other times.

We still and always want waking.

We teach our children one thing only, as we were taught: to wake up. We teach our children to look alive there, to join by words and activities the life of human culture on this planet's crust. As adults we are almost all adept at waking up. We have so mastered the transition we make a hundred times a day, as, like so many will-less dolphins, we plunge and surface, lapse and emerge. We live half our waking lives and all of our sleeping lives in some private, useless, and insensible waters we never mention or recall. Useless, I say. Valueless, I might add ? until someone hauls their wealth up to the surface and into the wide-awake city, in a form that people can use.

We wake, if we ever wake at all, to mystery, rumors of death, beauty, violence? ?Seem like we?re just set down here,? a woman said to me recently, ?and don?t nobody know why? I live by a creek, Tinker Creek, in a valley in Virginia?s Blue Ridge. An anchorite?s hermitage is called an anchor-hold; some anchor-holds were simple sheds clamped to the side of a church like a barnacle to a rock. I think of this house clamped to the side of Tinker Creek as an anchor-hold. It holds me at anchor to the rock bottom of the creek itself and it keeps me steadied in the current, as a sea anchor does, facing the stream of light pouring down. It?s a good place to live; there?s a lot to think about. The creeks ... are an active mystery, fresh every minute. Theirs is the mystery of the continuous creation and all that providence implies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection.

We don?t know what?s going on here. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? We don?t know. Our life is a faint tracing on the surface of mystery, like the idle, curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what?s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.

We have not yet encountered any god who is as merciful as a man who flicks a beetle over on its feet.

We live in all we seek.

We are here to abet creation and to witness it, to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but we notice each other's beautiful face and complex nature so that creation need not play to an empty house.

We are here to witness the creation and to abet it.

We are here to witness. There is nothing else to do with those mute materials we do not need. Until Larry teaches his stone to talk, until God changes his mind, or until the pagan gods slip back to their hilltop groves, all we can do with the whole inhuman array is watch it.

Today is one of those excellent January partly cloudies in which light chooses an unexpected part of the landscape to trick out in gilt, and then the shadow sweeps it away. You know you?re alive. You take huge steps, trying to feel the planet?s roundness arc between your feet.

Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed.

Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can't think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and, in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach. A blind man's idea of hugeness is a tree. They have their sturdy bodies and special skills; they garner fresh water; they abide.

Under her high brows, she eyed him straight on and straight across. She had gone to girls' schools, he recalled later. Those girls looked straight at you.

Van Gogh is utterly dead; the world may be fixed, but it never was broken. And shadow itself may resolve into beauty.

Wallace Stevens in his forties, living in Hartford, Connecticut, hewed to a productive routine. He rose at six, read for two hours, and walked another hour?three miles?to work. He dictated poems to his secretary. He ate no lunch; at noon he walked for another hour, often to an art gallery. He walked home from work?another hour. After dinner he retired to his study; he went to bed at nine. On Sundays, he walked in the park. I don?t know what he did on Saturdays. Perhaps he exchanged a few words with his wife, who posed for the Liberty dime. (One would rather read these people, or lead their lives, than be their wives. When the Danish aristocrat Wilhelm Dinesen shot birds all day, drank schnapps, napped, and dressed for dinner, he and his wife had three children under three. The middle one was Karen.)

We are here on the planet only once, and might as well get a feel for the place.

This is a spendthrift economy; though nothing is lost, all is spent.

This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am petting the puppy, I am watching the mountain. And the second I verbalize this awareness in my brain, I cease to see the mountain or feel the puppy. I am opaque, so much black asphalt. But at the same second, the second I know I've lost it, I also realize that the puppy is still squirming on his back under my hand. Nothing has changed for him. He draws his legs down to stretch the skin taut so he feels every fingertip's stroke along his furred and arching side, his flank, his flung-back throat. I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends. I get in the car and drive home.

This light-shouldered boy could jitterbug, old style, and would; he was more precious than gold, yea, than much fine gold. We jitterbugged...Only the strength in our fingertips kept us alive. If they weakened or slipped, his fingertips or mine, we'd fall spinning backward across the length of the room and out through the glass French doors to the snowy terrace, and if we were any good we'd make sure we fell on the downbeat, snow or no snow.

Thomas Merton wrote, there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues. There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won?t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can?t take it with you.

Three days a week she helped at the Manor Nursing Home, where people proved their keenness by reciting received analyses of current events. All the Manor residents watched television day and night, informed to the eyeballs like everyone else and rushed for time, toward what end no one asked. Their cupidity and self-love were no worse than anyone else's, but their many experiences' having taught them so little irked Lou. One hated tourists, another southerners; another despised immigrants. Even dying, they still held themselves in highest regard. Lou would have to watch herself. For this way of thinking began to look like human nature--as if each person of two or three billion would spend his last vital drop to sustain his self-importance.

First Name
Anne
Last Name
Dillard
Birth Date
1945
Bio

American Author, Poet, Essayist, Winner of Pulitzer