American Author, Poet, Nobel Prize Winner
James Agee, fully James Rufus Agee
American Author, Poet, Nobel Prize Winner
In every child who is born, no matter what circumstances, and of no matter what parents, the potentiality of the human race is born again: and in him, too, once more, and of each of us, our terrific responsibility toward human life; toward the utmost idea of goodness, of the horror of terror, and of God.
Seems as unfounded ... to say there isn't a God as to say there is.
Understanding, and action proceeding from understanding and guided by it, is one weapon against the world's bombardment, the one medicine, the one instrument by which liberty, health, and joy may be shaped? in the individual, and in the race.
He always felt different once he was across the river. This was the real, old, deep country, now. Home country. The cabins looked different to him, a little older and poorer and simpler, a little more homelike; the trees and rocks seemed to come differently out of the ground; the air smelled different.
Isn?t every human being both a scientist and an artist; and in writing of human experience, isn?t there a good deal to be said for recognizing that fact and for using both methods?
Several tons of dynamite are set off in this picture - none of it under the right people.
We are talking now of summer evenings in Knoxville Tennessee in the time that I lived there so successfully disguised to myself as a child.
A girl's brain is mysterious, but only in a superficial way ? a way very exasperating to me.
He felt that sitting out here, he was not lonely; or if he was, that he felt on good terms with the loneliness; that he was a homesick man, and that here on the rock, though he might be more homesick than ever, he was well. He knew that a very important part of his well-being came of staying a few minutes away from home, very quietly, in the dark, listening to the leaves if they moved, and looking at the stars; and that his own, Rufus' own presence, was fully as indispensable to this well-being.
It is a peculiar part of the good photographer's adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.
Some people get where they hope to in this world. Most of us don't.
Well, now, some people learn a little quicker than others. It's nice to learn fast but it's nice to take your time too.
A mother never realizes that her children are no longer children.
He thought of his daughter: all her spirit, which had resisted them so admirably to marry him, then only to be broken and dissolved on her damned piety; all her intelligence, hardly even born, came to nothing in the marriage, making ends meet and again above all, the Goddamned piety; all her innocent eagerness, which it looked as if nothing could ever kill, still sticking its chin out for more.
It is clear enough by now to most people that the camera never lies is a foolish saying. Yet it is doubtful whether most people realize how extraordinarily slippery a liar the camera is.
The ability to try to understand existence, the ability to try to recognize the wonder and responsibility of one's own existence, the ability to know even fractionally the almost annihilating beauty, ambiguity, darkness, and horror which swarm every instant of every consciousness, the ability to try to accept it, or the ability to try to defend one's self, or the ability to dare to try to assist others; all such as these, of which most human beings are cheated of their potentials, are, in most of those who even begin to discern or wish for them, the gifts or thefts of economic privilege, and are available to members of these leanest classes only by the rare and irrelevant miracle of born and surviving 'talent.
What is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave...
All of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiance of what is
He used this great, sad, motionless face to suggest various related things: a one-track mind near the track's end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive...
It is probably well on the conservative side to estimate that during the past ten to fifteen years the camera has destroyed a thousand pairs of eyes, corrupted ten thousand, and seriously deceived a hundred thousand, for every one pair that it has opened, and taught.
The artist's task is not to alter the world as the eye sees it into a world of aesthetic reality, but to perceive the aesthetic reality within the actual reality. (On photographs by Helen Levitt)
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
And a human being whose life is nurtured in an advantage which has accrued from the disadvantage of other human beings, and who prefers that this should remain as it is, is a human being by definition only, having much more in common with the bedbug, the tapeworm, the cancer, and the scavengers of the deep sea.
He was amused because his son had always mistaken the words "gal and" for "gallon," and because his wife and to a less extent her relatives were not entirely amused by his amusement. They felt, he knew, that he was not a man to take the word "gallon" so purely as a joke; not that the drinking had been any sort of problem, for a long time now.
It is the middle and pure height and whole of summer and a summer night, the held breath, of a planet's year; high shored sleeps the crested tide: what day of the month I do not know, which day of the week I am not sure, far less what hour of the night.