Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Rebecca Solnik

American Writer

"Revolution is a phase, a mood, like spring, and just as spring has its buds and showers, so revolution has its ebullience, its bravery, its hope, and its solidarity. Some of these things pass."

"Roads are a record of those who have gone before."

"Revolution is as unpredictable as an earthquake and as beautiful as spring. It?s coming is always a surprise, but its nature should not be."

"Sadness is also beautiful, maybe because it rings so true and goes so deep, because it is about the distances in our lives, the things we lose, the abyss between what the lover and the beloved want and imagine and understand that may widen to become unbridgeable any moment, the distance between the hope at the onset and the eventual outcome, the journeys we have to travel, including the last one out of being and on past becoming into the unimaginable: the moth flown into the pure dark."

"Sense of place is the sixth sense, an internal compass and map made by memory and spatial perception together."

"Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn?t an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over."

"Some empathy must be learned and then imagined, by perceiving the suffering of others and translating it into one's own experience of suffering and thereby suffering a little with then. Empathy can be a story you tell yourself about what it must be like to be that other person; but its lack can also arrive from narrative, about why the sufferer deserved it, or why that person or those people have nothing to do with you. Whole societies can be taught to deaden feeling, to dissociate from their marginal and minority members, just as people can and do erase the humanity of those close to them. Empathy makes you imagine the sensation of the torture, of the hunger, of the loss. You make that person into yourself, you inscribe their suffering on your own body or heart or mind, and then you respond to their suffering as though it were your own. Identification, we say, to mean that I extend solidarity to you, and who and what you identify with builds your own identity. Physical pain defines the physical boundaries of the self but these identifications define a larger self, a map of affections and alliances, and the limits of this psychic self are nothing more or less than the limits of love. Which is to say love enlarges; it annexes affectionately; at its utmost it dissolves all boundaries."

"Some secret of nurture withered a generation or two before I arrived, if it had ever existed before among the poor, marginalized people on the edges of Europe from whom I descend. Both my parents grew up with a deep sense of poverty that was mostly emotional but that they imagined as material long after they clambered into the middle class, and so they were more like a pair of rivalrous older siblings than parents who see their children as extensions of themselves and their hopes. They were stuck in separateness. I didn't realize anything was odd until I was already on my own and found out that not everyone's parents cut them off financially as soon as the law allowed. I tried to leave home unsuccessfully at fourteen and fifteen and sixteen and did so successfully at seventeen, heading off to another country, as far away as I could go, and once I got there I realized I was more on my own than I had anticipated: I was henceforth entirely responsible for myself and thus began a few years of poverty."

"Some music has words, and rock had words that at times aspired to poetry, but the words were always sounds first, spoken to the body before the mind."

"Somewhere in the terra incognita... lies a life of discovery."

"Sometimes I get mail for people who lived in my home before I did, and sometimes my own body seems like a home through which successive people have passed like tenants, leaving behind memories, habits, scars, skills, and other souvenirs."

"Sometimes it seems that the fate of the world is decided entirely in the ether of electronic communications and corporate backroom deals."

"Space--as landscape, terrain, spectacle, experience--has vanished."

"That thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word ?lost? comes from the old Norse ?los? meaning the disbanding of an army? I worry now that people never disband their armies, never go beyond what they know. Advertising, alarmist news, technology, incessant busyness, and the design of public and private life conspire to make it so. A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. Children seldom roam, even in the safest places? I wonder what will come of placing this generation under house arrest."

"Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice."

"The anthropological theorist Paul Shepard writes, 'Humans intuitively see analogies between the concrete world out there and their own inner world. If they conceive the former as a chaos of anarchic forces or as dead and frozen, then so will they perceive their own bodies and society; so will they think and act on that assumption and vindicate their own ideas by altering the world to fit them.' The loss of a relationship to the non-constructed world is a loss of these metaphors. It is also loss of the large territory of the senses, a vast and irreplaceable loss of pleasure and meaning."

"Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake?when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains."

"The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss."

"The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood."

"The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest."

"The future, of course, is not something you predict and wait for. It is something you invent daily through your actions."

"The Earth we evolved to inhabit is turning into something more turbulent and unreliable at a pace too fast for most living things to adapt to."

"The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an allegory about [the perpetual paradox that when one is closest to a destination one is also the farthest)."

"The exercise of democracy begins as exercise, as walking around, becoming familiar with the streets, comfortable with strangers, able to imagine your own body as powerful and expressive rather than a pawn."

"The growing visibility of homeless people in Central Park posed in the starkest terms the contradiction between Americans' commitment to democratic space and their acquiescence in vast disparities of wealth and power."

"The faculty we use to grasp the nature of the "out there" is our imagination. Somewhere within the matrix of our brain we construct a separate reality created by a disembodied, thinking consciousness. This inner reality is unconnected to external space and exists outside the stream of linear time. When reminiscing about a day at the beach, we knit together elements of that day that no longer "actually" exist. We can run the events forward and backward with ease, and amend with alternate possibilities what we believe happened... Consciousness, resembling nothing so much as long columns of ants at work, must laboriously transfer the outside world piece by piece through the tunnels of the senses, then reconstruct it indoors. This inner spectral vision amounts to a mental "opinion" unique to each individual of how the world works... When an entire civilization reaches a consensus about how the world works, the belief system is elevated to the supreme status of a "paradigm," whose premises appear to be so obviously certain no one has to prove them anymore."

"The great majority of people are calm, resourceful, altruistic or even beyond altruistic, as they risk themselves for others. We improvise the conditions of survival beautifully."

"The magic of the street is the mingling of the errand and the epiphany."

"The grim superpowers of militaries and corporations can be resisted, and ... the power of small activist groups, of workers, of citizens, of indigenous tribes, of people of conscience matters."

"The gym is a kind of wildlife preserve for bodily exertion. A preserve protects species whose habitat is vanishing elsewhere, and the gym (and home gym) accommodates the survival of bodies after the abandonment of the original sites of bodily exertion."

"The mechanism whereby excellent new housing will be built here for lower-income families? I think it?s called socialism. I?m for it, but it?s not on the horizon, and it?s not what a corporate boom is bringing, especially not one headed by libertarians with little sympathy for the poor. By the way, the Homeless Youth Alliance, which served 5000 needy kids a year for a dozen years, was evicted over the holidays, so the landlord could rent to a richer customer. No newly minted billionaires stepped forth to pay to rehouse this vital service for young people on the streets."

"The new architecture and urban design of segregation could be called Calvinist: they reflect a desire to live in a world of predestination rather than chance, to strip the world of its wide-open possibilities and replace them with freedom of choice in the marketplace."

"The more we heat up the planet, the more it costs all of us, not just in money, but in colossal famines, displacements, deaths, and species extinctions, as well as in the loss of some of the things that make this planet a blue-green jewel, including its specialized habitats from the melting Arctic to bleaching coral reefs."

"The NRA has bullied a lot of our elected officials and pushed a lot of deregulation in many ways that are serving the gun producers and not gun owners with the notion that, ?Oh, we need armor-piercing bullets, we need semi-automatics, we need this, we need that,? and pushing more and more guns and manufacturing special guns for children. (They?re marketing guns to children now.) There?s definitely cultural factors in gun culture, but it?s also driven by an industry, just as climate denial is, and forging forward with damaging the climate further is serving certain business interests."

"The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in between?Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-paced? I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness."

"The people thrown into other cultures go through something of the anguish of the butterfly, whose body must disintegrate and reform more than once in its life cycle. In her novel Regeneration, Pat Barker writes of a doctor who knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cat of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay. But the butterfly is so fit an emblem of the human soul that its name in Greek is psyche, the word for soul. We have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning. Nor of the violence of the metamorphosis, which is often spoken of as though it were as graceful as a flower blooming."

"The past, like the future, is dark. There is so much we don't know, and to write truthfully about a life, your own or your mother's, or a celebrated figure's, an event, a crisis, another culture is to engage repeatedly with those patches of darkness, those nights of history, those places of unknowing. They tell us that there are limits to knowledge, that there are essential mysteries, starting with the notion that we know just what someone thought or felt in the absence of exact information. Often enough we don't know such things even when it comes to ourselves, let alone someone who perished in an epoch whose very textures and reflexes were unlike ours. Filling in the blanks replaces the truth that we don't entirely know with the false sense that we do. We know less when we erroneously think we know than when we recognize that we don't."

"The oil dinosaurs want to win so badly in my home state because what happens here matters everywhere. The nation often follows where California goes."

"The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is in the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that beats in the chest of another."

"The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space... In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic."

"The planting of [orchards] represents a reduction of a complex ecology into the monocultural grid of modern agriculture, and the transformation of a complex symbiosis with the land into the simpler piecework or agricultural labour for surplus and export."

"The positive emotions that arise in... unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved."

"The present rearranges the past. We never tell the story whole because a life isn't a story; it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are."

"The possibility of paradise hovers on the cusp of coming into being, so much so that it takes powerful forces to keep such a paradise at bay. If paradise now arises in hell, it's because in the suspension of the usual order and the failure of most systems, we are free to live and act another way."

"The process of transformation consists mostly of decay."

"The promenade is a special subset of walking."

"The sea is a body in a thousand ways that don't add up, because adding is too stable a transaction for that flux, but the waves come in in a roar and then ebb, almost silent but for the faint suck of sand and snap of bubbles, over and over, a heartbeat rhythm, the sea always this body turned inside out and opened to the sky, the body always a sea folded in on itself, a nautical chart folded into a paper cup."

"The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell."

"The radical geographer BIain Boal had prophesied, ?The longing for a better world will need to arise at the imagined meeting place of many movements of resistance, as many as there are sites of closure and exclusion.? The resistance will be as transnational capitalism."

"The self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming ends only when you do, if then, and the consequences live on. We make ourselves and in so doing are the gods of the small universe of self and the large world of repercussions."