Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Madeleine L’Engle

American Novelist, Poet, Short Story Writer best known for novel "A Wrinkle In Time" winning the John Newbery Medal

"The peculiar idea that bigger is better has been around for at least as long as I have, and it's always bothered me. There is within it the implication that it is more difficult for God to care about a gnat than about a galaxy. Creation is just as visible in a grain of sand as in a skyful of stars. "

"And joy is always a promise."

"In a moment of crisis we don't act out of reasoned judgment but on our conditioned reflexes. We may be able to send men to the moon, but we'd better remember we're still closely related to Pavlov's dog. Think about driving a car: only the beginning driver thinks as he performs each action; the seasoned driver's body works kinesthetically . . .A driver prevents an accident because of his conditioned reflexes; hands and feet respond more quickly than thought. I'm convinced the same thing is true in all other kinds of crisis, too. We react to our conditioning built up of every single decision we've made all our lives; who we have used as our mirrors, as our points of reference. If our slow and reasoned decisions are generally wise, those which have to be made quickly are apt to be wise, too. If our reasoned decisions are foolish, so will be those of the sudden situation."

"Look at my glasses. I can't even see that there are any stars in the sky without them, but it's not the glasses that are doing the seeing, it's me, Madeleine. I don't think Father's eyes are seeing now, but he is. And maybe his brain isn't thinking, but a brain's just something to think through, the way my glasses are something to see through."

"A book comes and says, "Write me." My job is to try to serve it to the best of my ability, which is never good enough, but all I can do is listen to it, do what it tells me and collaborate."

"A burst of harmony so brilliant that it almost overwhelmed them surrounded Meg, the cherubim, Calvin, and Mr. Jenkins. But after a moment of breathlessness, Meg was able to open herself to the song of the farae, these strange creatures who were Deepened, rooted, yet never separated from each other, no matter how great the distance. We are the song of the universe. We sing with the angelic host. We are musicians. The farae and the stars are the singers. Our song orders the rhythm of creation."

"A good laugh heals a lot of hurts."

"A great painting, or symphony, or play, doesn't diminish us, but enlarges us, and we, too, want to make our own cry of affirmation to the power of creation behind the universe. This surge of creativity has nothing to do with competition, or degree of talent? It is beauty crying out for more beauty."

"A great piece of literature does not try to coerce you to believe it or agree with it. A great piece of literature simply is."

"A community to be truly community, must have a quality of unselfconsciousness about it."

"A great ring of pure and endless light dazzles the darkness in my heart and breaks apart the dusky clouds of night. The end of all is hinted in the start. When we are born we bear the seeds of blight; around us life and death are torn apart, yet a great ring of pure and endless light dazzles the darkness in my heart. It lights the world to my delight. Infinity is present in each part. A loving smile contains all art. The motes of starlight spark and dart. A grain of sand holds power and might. Infinity is present in each part, and a great ring of pure and endless light dazzles the darkness in my heart."

"A life lived in chaos is an impossibility."

"A lot of the shadow self is the home of poetry, story, prayer. My deepest understandings are often released from the part of me of which I am least aware most of the time."

"A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming."

"A while ago there was an article in the New York Times about some women in Tennessee who wanted the middle grade text books removed from the school curriculum, not because they were inadequate educationally, but because these women were afraid that they might stimulate the childrens? imaginations. What!?! It was a good while later that I realized that the word, imagination, is always a bad word in the King James translation of the Bible. I checked it out in my concordance, and it is always bad. Put them down in the imagination of their hearts. Their imagination is only to do evil. Language changes. What meant one thing three hundred years ago means something quite different now. So the people who are afraid of the word imagination are thinking about it as it was defined three centuries ago, and not as it is understood today, a wonderful word denoting creativity and wideness of vision."

"A winter ago I had an after-school seminar for high-school students and in one of the early sessions Una, a brilliant fifteen-year-old, a born writer who came to Harlem from Panama five years ago, and only then discovered the conflict between races, asked me, Mrs. Franklin, do you really and truly believe in God with no doubts at all? Oh, Una, I really and truly believe in God with all kinds of doubts. But I base my life on this belief."

"A Wrinkle in Time was almost never published. You can't name a major publisher who didn't reject it. And there were many reasons. One was that it was supposedly too hard for children. Well, my children were 7, 10, and 12 while I was writing it. I'd read to them at night what I'd written during the day, and they'd say, "Ooh, mother, go back to the typewriter!" A Wrinkle in Time had a female protagonist in a science fiction book, and that wasn't done. And it dealt with evil and things that you don't find, or didn't at that time, in children's books. When we'd run through forty-odd publishers, my agent sent it back. We gave up. Then my mother was visiting for Christmas, and I gave her a tea party for some of her old friends. One of them happened to belong to a small writing group run by John Farrar, of Farrar, Straus & Giroux, which at that time did not have a juvenile list. She insisted that I meet John anyhow, and I went down with my battered manuscript. John had read my first novel and liked it, and read this book and loved it. That's how it happened."

"A writer of fantasy, fairy tale, or myth must inevitably discover that he is not writing out of his own knowledge or experience, but out of something both deeper and wider. I think that fantasy must possess the author and simply use him. I know that this is true of A Wrinkle in Time. I can?t possibly tell you how I came to write it. It was simply a book I had to write. I had no choice. And it was only after it was written that I realized what some of it meant."

"Active happiness is not a common state. Active unhappiness is better than dull days. Katherine was seldom in an intermediate stage."

"Aeschylus writes, In our sleep, pain that cannot forget falls drop by drop upon the heart and in our own despair, against our will, comes wisdom through the awful grade of God."

"Alas. What have we done to our good, bawdy, Anglo-Saxon four-letter words?...We have blunted them so with overuse that they no longer have any real meaning for us. ...When will we be able to redeem our shock words? They have been turned to marshmallows. ...We no longer have anything to cry in time of crisis. 'Help!' we bleat. And no one hears us. 'Help' is another of those four-letter words that don't mean anything anymore."

"Alike and Equal are not the same."

"All children are artists, and it is an indictment of our culture that so many of them lose their creativity, their unfettered imaginations, as they grow older."

"All forms of art are consciousness expanders, and I am convinced that they will take us further, and more consciously, than drugs."

"All of life is a story."

"All real art is, in its true sense, is a religious impulse; there is no such thing as a non-religious subject. But much bad or downright sacrilegious art depicts so-called religious subjects?Conversely, much great religious art has been written or painted or composed by people who thought they were atheists."

"All will be redeemed in God's fullness of time, all, not just the small portion of the population who have been given the grace to know... All the strayed and stolen sheep. All the little lost ones."

"Almost all the joyful things of life are outside the measure of IQ tests."

"An artist is a nourisher and a creator who knows that during the act of creation there is collaboration. We do not create alone."

"An IQ cannot measure artistic ability. A potential Picasso may be a flop at objective vocabulary or number tests. An IQ does not measure a capacity for love...How do we teach a child - our own, or those in a classroom to have compassion: to allow people to be different; to understand that like is not equal; to experiment; to laugh: to love."

"And I can't say it now. I can't say what I want to say. I hold you-- I-- I clutch you, because I love you so desperately, and time is so short, we have such a little time in which to live and be young, even at best, and I put my arms around you and hold you because I want to love you while I can and I want to know I'm loving you, only it doesn't mean anything because you aren't afraid. You aren't frightened so that you want to clutch it all while you can."

"And it came to me as I stood on the desert sand, looking at the Great Pyramid, that what any civilization says about God tells us more about that civilization than it does about God."

"And what did I mean by trying to 'be good'? To knock down selfishness, self-will, I suppose, and this is no do-it-yourself job. We can no more 'try' to be virtuous than we can tryto be humble, or to act with integrity."

"Anything that stretches the mind is a help to the potential author."

"Art is not a mirror but an icon. It takes the chaos in which we live and shows us structure and pattern, not the structure of conformity which imprisons but the structure which liberates, sets us free to become growing, mature human beings."

"Art should communicate with as many people as possible."

"Artistic temperament sometimes seems a battleground, a dark angel of destruction and a bright angel of creativity wrestling. When the bright angel dominates, out comes a great work of art, a Michelangelo David or a Beethoven symphony."

"Artists of all disciplines must be willing to go into the dark, let go control, be surprised."

"As Emmanuel, Cardinal Suhard says, ?To be a witness does not consist in engaging in propaganda, nor even in stirring people up, but in being a living mystery. It means to live in such a way that one's life would not make sense if God did not exist.?"

"As long as we know what it's about, then we can have the courage to go wherever we are asked to go, even if we fear that the road may take us through danger and pain."

"As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers"

"At Tara in this fateful hour, I place all heaven with its power, and the sun with its brightness, and the snow with its whiteness, and the fire with all the strength it hath, and the lightning with its rapid wrath, and the winds with their swiftness along their path, and the sea with its deepness, and the rocks with their steepness, and the earth with its starkness: all these I place, by God's almighty help and grace between myself and the powers of darkness!"

"Basically there can be no categories such as 'religious' art and 'secular' art, because all true art is incarnational, and therefore 'religious."

"Because I am a storyteller I live by words. Perhaps music is a purer art form. It may be that when we communicate with life on another planet, it will be through music, not through language or words."

"Because it is the nature of love to create, a marriage itself is something which has to be created, so that, together we become a new creature. To marry is the biggest risk in human relations that a person can take? If we commit ourselves to one person for life this is not, as many people think, a rejection of freedom; rather it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession, but participation? It takes a lifetime to learn another person? When love is not possession, but participation, then it is part of that co-creation which is our human calling, and which implies such risk that it is often rejected."

"Because of the very nature of the world as it is today our children receive in school a heavy load of scientific and analytic subjects, so it is in their reading for fun, for pleasure, that they must be guided into creativity. These are forces working in the world as never before in the history of mankind for standardization, for the regimentation of us all, or what I like to call making muffins of us, muffins all like every other muffin in the muffin tin. This is the limited universe, the drying, dissipating universe, that we can help our children avoid by providing them with explosive material capable of stirring up fresh life endlessly."

"Because to take away a man's freedom of choice, even his freedom to make the wrong choice, is to manipulate him as though he were a puppet and not a person."

"Because you're not what I would have you be, I blind myself to who, in truth, you are."

"Behind the violence of the birthing of galaxies and stars and planets came a quiet and tender melody, a gentle love song. All the raging of creation, the continuing hydrogen explosions on the countless suns, the heaving of planetary bodies, all was enfolded in a patient, waiting love."

"Being alive hurts. I have found it best not to rush for the aspirin bottle."