Great Throughts Treasury

"There are teachers and students with square minds who are by nature meant to undergo the fascination of categories. For them, 'schools' and 'movements' are everything; by painting a group symbol on the brow of mediocrity, they condone their own incomprehension of true genius."

"There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three — storyteller, teacher, enchanter — but it is the enchanter in him that predominates and makes him a major writer...The three facets of the great writer — magic, story, lesson — are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought...Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass."

"There can be no emblem or parable in a village idiot's hallucinations or in last night's dream of any of us in this hall. In those random visions nothing – underline nothing (grating sound of horizontal stroke can be construed as allowing itself to be deciphered y a witch doctor that can then cure a madman or give comfort to a killer by laying the blame on a too fond, too fiendish or too indifferent parent – secret festerings that the foster quack feigns to heal by expensive confession feasts (laughter and applause)."

"There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: honey-colored kins, 'thin arms, brown bobbed hair, long lashes, big bright mouth_; and the other when you instantly evoke, with shut eyes on the dark inner side of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita)."

"There exist few things more tedious than a discussion of general ideas inflicted by author or reader upon a work of fiction. The purpose of this foreword is not to show that Bend Sinister belongs or does not belong to serious literature (which is a euphemism for the hollow profundity and the ever-welcome commonplace). I have never been interested in what is called the literature of social comment (in journalistic and commercial parlance: great books). I am not sincere, I am not provocative, I am not satirical. I am neither a didacticist nor an allegorizer. Politics and economics, atomic bombs, primitive and abstract art forms, the entire Orient, symptoms of thaw in Soviet Russia, the Future of Mankind, and so on, leave me supremely indifferent. As in the case of my Invitation to a Beheading - with which this book has obvious affinities - automatic comparisons between Bend Sinister and Kafka's creations or Orwell's cliches would go merely to prove that the automaton could not have read either the great German writer or the mediocre English one."

"There exist friendships which develop their own inner duration, their own eons of transparent time."

"There he stood, in the camouflage of sun and shade, disfigured by them and masked by his own nakedness."

"There is a very loud amusement park right in front of my present lodgings."

"There is also a keen pleasure (and after all, what else should the pursuit of science produce?) in meeting the riddle of the initial blossoming of man's mind by postulating a voluptuous pause in the growth of the rest of nature, a lolling and loafing which allowed first of all the formation of Homo poeticus-- without which sapiens could not have been evolved. Struggle for life indeed! The curse of battle and toil leads man back to the boar, to the grunting beast's crazy obsession with the search for food. You and I have frequently remarked upon that maniacal glint in a housewife's scheming eye as it roves over food in a grocery or about the morgue of a butcher's shop. Toilers of the world, disband! Old books are wrong. The world was made on a Sunday."

"There is an old American saying 'He who lives in a glass house should not try to kill two birds with one stone."

"There is no science without fancy and no art without fact."

"There is only one real number: one. And love, apparently, is the best exponent of this singularity."

"There is nothing dictators hate so much as that unassailable, eternally elusive, eternally provoking gleam. One of the main reasons why the very gallant Russian poet Gumilev was put to death by Lenin's ruffians thirty odd years ago was that during the whole ordeal, in the prosecutor's dim office, in the torture house, in the winding corridors that led to the truck, in the truck that took him to the place of execution, and at that place itself, full of the shuffling feet of the clumsy and gloomy shooting squad, the poet kept smiling."

"There is only one school of literature - that of talent."

"There is nothing more atrociously cruel than an adored child."

"There is nothing in the world that I loathe more than group activity, that communal bath where the hairy and slippery mix in a multiplication of mediocrity."

"There's this place in me where your fingerprints still rest, your kisses still linger, and your whispers softly echo. It's the place where a part of you will forever be a part of me."

"This irritated or puzzled such students of literature and their professors as were accustomed to ‘serious’ courses replete with ‘trends ’ and ‘schools ’ and ‘myths ’ and ‘symbols ’ and ‘social comment ’ and something unspeakably spooky called ‘climate of thought.’ Actually these ‘serious’ courses were quite easy ones with the students required to know not the books but about the books."

"This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome."

"This then is my story. i have reread it. it has bits of marrow sticking to it, and blood, and beautiful bright-green flies. At this or that twist of it i feel my slippery self-eluding me, gliding into deeper and darker waters than i care to probe."

"This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket. Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters. I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. (The Vane Sisters)"

"There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child."

"There was no Lo to behold."

"There was a time in my demented youth when somehow I suspected that the truth about survival after death was known to every human being: I alone knew nothing, and a great conspiracy of books and people hid the truth from me."

"There, on the soft sand, a few feet away from our elders, we would sprawl all morning, in a petrified paroxysm of desire, and take advantage of every blessed quirk in space and time to touch each other: her hand, half-hidden in the sand, would creep toward me, its slender brown fingers sleepwalking nearer and nearer; then, her opalescent knee would start on a long cautious journey; sometimes a chance rampart built by younger children granted us sufficient concealment to graze each other's salty lips; these incomplete contacts drove our healthy and inexperienced young bodies to such a state of exasperation that not even the cold blue water, under which we still clawed at each other, could bring relief."

"There, in front of us, where a broken row of houses stood between us and the harbour, and where the eye encountered all sorts of stratagems, such as pale-blue and pink underwear cakewalking on a clothesline ... it was most satisfying to make out among the jumbled angles of roofs and walls, a splendid ship’s funnel, showing from behind the clothesline as something in a scrambled picture – Find What the Sailor Has Hidden – that the finder cannot unsee once it has been seen. A brilliant, and moving, mixture of perception and reality."

"This, to use an American term in which discovery, retribution, torture, death, eternity appear in the shape of a singularly repulsive nutshell, was it."

"Thus it transpired that even Berlin could be mysterious. Within the linden's bloom the streetlight winks. A dark and honeyed hush envelops us. Across the curb one's passing shadow slinks: across a stump a sable ripples thus. The night sky melts to peach beyond that gate. There water gleams, there Venice vaguely shows. Look at that street--it runs to China straight, and yonder star above the Volga glows! Oh, swear to me to put in dreams your trust, and to believe in fantasy alone, and never let your soul in prison rust, nor stretch your arm and say: a wall of stone."

"Thus, in pornographic novels, action has to be limited to the copulation of clichés."

"Thus, neither of us is alive when the reader opens this book. But while the blood still throbs through my writing hand, you are still as much part of blessed matter as I am, and I can still talk to you from here to Alaska. Be true to your Dick. Do not let other fellows touch you. Do not talk to strangers. I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you we'll, because otherwise my specter shall come at him, like black smoke, like a demented giant, and pull him apart nerve by nerve. And do not pity C. Q. One had to choose between him and H.H., and one wanted H.H. to exist at least a couple of months longer, so as to have him make you live in the minds of later generations. I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita."

"Time is rhythm: the insect rhythm of a warm humid night, brain ripple, breathing, the drum in my temple—these are our faithful timekeepers; and reason corrects the feverish beat."

"To begin with, let us take the following motto (not especially for this chapter, but generally): Literature is Love. Now we can continue."

"This, and much more, she accepted - for after all living did mean accepting the loss of one joy after another, not even joys in her case – mere possibilities of improvement. She thought of the endless waves of pain that for some reason or other she and her husband had to endure; of the invisible giants hurting her boy in some unimaginable fashion; of the incalculable amount of tenderness contained in the world; of the fate of this tenderness, which is either crushed, or wasted, or transformed into madness; of neglected children humming to themselves in unswept corners; of beautiful weeds that cannot hide from the farmer and helplessly have to watch the shadow of his simian stoop leave mangled flowers in its wake, as the monstrous darkness approaches."

"This whole psychiatry is nothing else but a kind of microcosm of communism [...]. It would be better left to people their personal problems. For the question arises whether the problems are not the only thing in the world that people may have on the property?"

"To be quite candid — and what I am going to say now is something I have never said before, and I hope that it provokes a salutary chill — I know more than I can express in words, and the little I can express would not have been expressed, had I not known more."

"To a joke, then, I owe my first gleam of consciousness—which again has recapitulatory implications, since the first creatures on earth to become aware of time were also the first creatures to smile."

"To know that no one before you has seen an organ you are examining, to trace relationships that have occurred to no one before, to immerse yourself in the wondrous crystalline world of the microscope, where silence reigns, circumscribed by its own horizon, a blindingly white arena — all this is so enticing that I cannot describe it."

"To each, or about each, of his colleagues he had said at one time or other, something... something impossible to recall in this or that case and difficult to define in general terms -- some careless bright and harsh trifle that had grazed a stretch of raw flesh."

"To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple" — "Flaubert writes with a style which is always simple and sincere" — under the impression that this was the greatest compliment payable to prose or poetry. When I struck the phrase out, which I did with such rage that it ripped the paper, the student complained that this was what teachers had always taught him: "Art is simple, art is sincere." Someday I must trace this vulgar absurdity to its source. A schoolmarm in Ohio? A progressive ass in New York? Because, of course, art at its greatest is fantastically deceitful and complex."

"To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute"

"To think that between a Hamburger and a Humburger, she would—invariably, with icy precision—plump for the former."

"Today our unsophisticated cameras record in their own way our hastily assembled and painted world."

"Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed."

"Treading the soil of the moon, palpitating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from terra - these form the most romantic sensation an explorer has ever known."

"Today one does not hear much about him.... The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates."

"Toska noun /tsk/ Russian word roughly translated as sadness, melancholia, lugubriousness. No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, lovesickness. At the lowest level it grades into ennui, boredom."

"Uncle alone in the house with the children said he'd dress up to amuse them. After a long wait, as he did not appear, they went down and saw a masked man putting the table silver into a bag. 'Oh, Uncle,' they cried in delight. 'Yes, isn't my make-up good?' said Uncle, taking his mask off. Thus goes the Hegelian syllogism of humor. Thesis: Uncle made himself up as a burglar (a laugh for the children); antithesis: it WAS a burglar (a laugh for the reader); synthesis: it still was Uncle (fooling the reader)."

"Under no circumstances would he [Humbert Humbert] have interfered with the innocence of a child, if there was the least risk of a row."

"Unless a film of flesh envelops us, we die. Man exists only insofar as he is separated from his surroundings. The cranium is a space-traveler's helmet. Stay inside or you perish. Death is divestment, death is communion."

"Two lumpy old ladies in semitransparent raincoats, like potatoes in cellophane."