Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

James Baldwin, fully James Arthur Baldwin

American Writer, Novelist, Essayist, Playwright, Poet, Activist and Social Critic

"After departure, only invisible things are left, perhaps the life of the world is held together by invisible chains of memory and loss and love. So many things, so many people, depart! And we can only repossess them in our minds."

"A real decision makes one humble, one knows that it is at the mercy of more things that can be named."

"All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up."

"Ages ago, in another city, on another bus, I sat so at the windows, looking outward, inventing for each flying face which trapped my brief attention some life, some destiny, in which I played a part. I was looking for some whisper, or promise, of my possible salvation. But it seemed to me that morning that my ancient self had been dreaming the most dangerous dream of all."

"All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours."

"All for the first time, in the days when acts had no consequences and nothing was irrecoverable, and love was simple and even pain had the dignity of enduring forever: it was unimaginable that time could do anything to diminish it."

"All of us know, whether or not we are able to admit it, that mirrors can only lie, that death by drowning is all that awaits one there. It is for this reason that love is so desperately sought and so cunningly avoided. Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word love here not merely in the personal sense but as a state of being, or a state of grace--not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth."

"All that hatred down there, he said, all that hatred and misery and love. It's a wonder it doesn't blow the avenue apart."

"All the western nations are caught in a lie, the lie of their pretended humanism: this means that their history has no moral justification, and that the West has no moral authority."

"All you are ever told in this country about being black is that it is a terrible, terrible thing to be. Now, in order to survive this, you have to really dig down into yourself and recreate yourself, really, according to no image which yet exists in America. You have to impose, in face ? this may sound very strange ? you have to decide who you are, and force the world to deal with you, not with its idea of you."

"All that befell: in her joys, her pipe in the evening, her man at night, the children she suckled, and guided on their first short steps; and in her tribulations, death, and parting, and the lash, she did not forget that deliverance was promised and would surely come. She had only to endure and trust in God."

"All over Harlem, Negro boys and girls are growing into stunted maturity, trying desperately to find a place to stand; and the wonder is not that so many are ruined but that so many survive."

"America sometimes resembles, at least from the point of view of a black man, an exceedingly monotonous minstrel show; the same dances, same music, same jokes. One has done (or been) the show so long that one can do it in one?s own sleep."

"Allegiance, after all, has to work two ways; and one can grow weary of an allegiance which is not reciprocal."

"Americans should never come to Europe,' she said, and tried to laugh and began to cry, 'it means they never can be happy again. What's the good of an American who isn't happy? Happiness was all we had."

"American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it."

"An identity would seem to be arrived at by the way in which the person faces and uses his experience."

"And he knew again that she was not saying everything she meant; in a kind of secret language she was telling him today something that he must remember and understand tomorrow. He watched her face, his heart swollen with love for her and with an anguish, not yet his own, that he did not understand and that frightened him."

"An identity is questioned only when it is menaced, as when the mighty begin to fall, or when the wretched begin to rise, or when the stranger enters the gates, never, thereafter, to be a stranger. Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one's nakedness can always be felt, and, sometimes, discerned. This trust in one's nakedness is all that gives one the power to change one's robes."

"Americans, unhappily, have the most remarkable ability to alchemize all bitter truths into an innocuous but piquant confection and to transform their moral contradictions, or public discussion of such contradictions, into a proud decoration, such as are given for heroism on the battle field."

"And I was yet aware that this was only a moment, that the world waited outside, as hungry as a tiger, and that trouble stretched above us, longer than the sky."

"And her mother still struggled in these white kitchens in town, humming sweet hymns, tiny, mild eyed and bent, her father still labored on the oyster boats; after a lifetime of labor, should they drop dead tomorrow, there would not be a penny for their burial clothes."

"And the darkness of John's sin was like the darkness of the church on Saturday evenings... It was like his thoughts as he moved about the tabernacle in which his life had been spent; the tabernacle that he hated, yet loved and feared[...] The darkness of his sin was in the hardheartedness with which he resisted God's power; in the scorn that was often his while he listened to the crying, breaking voices, and watched the black skin glisten while they lifted up their arms and fell on their faces before the Lord. For he had made his decision. He would not be like his father, or his father's fathers. He would have another life."

"And his mind could not contain the terrible stretch of time that united twelve men fishing by the shores of Galilee, and black men weeping on their knees tonight, and he, a witness."

"And this was perhaps the first time in my life that death occurred to me as a reality. I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it?it, the physical act. I had thought of suicide when I was much younger, as, possibly, we all have, but then it would have been for revenge, it would have been my way of informing the world how awfully it had made me suffer. But the silence of the evening, as I wandered home, had nothing to do with that storm, that far off boy. I simply wondered about the dead because their days had ended and I did not know how I would get through mine."

"And they didn't even read; depressed populations don't have the time or energy to spare. The affluent populations, which should have been their help, didn?t, as far as could be discovered, read either?they merely bought books and devoured them, but not in order to learn: in order to learn new attitudes."

"Any honest examination of the national life proves how far we are from the standard of human freedom with which we began. The recovery of this standard demands of everyone who loves this country a hard look at himself, for the greatest achievements must begin somewhere, and they always begin with the person. If we are not capable of this examination, we may yet become one of the most distinguished and monumental failures in the history of nations."

"Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent ? which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such a frightening indifference that the artist is compelled to make his talent important. So that any writer, looking back over even so short a span of time as I am here forced to assess, finds that the things which hurt him and the things which helped him cannot be divorced from each other; he could be helped in a certain way only because he was hurt in a certain way; and his help is simply to be enabled to move from one conundrum to the next ? one is tempted to say that he moves from one disaster to the next."

"Art has to be a kind of confession. I don?t mean a true confession in the sense of that dreary magazine. The effort it seems to me, is: if you can examine and face your life, you can discover the terms with which you are connected to other lives, and they can discover them, too ? the terms with which they are connected to other people. This has happened to every one of us, I?m sure. You read something which you thought only happened to you, and you discovered it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that they are alone. This is why art is important. Art would not be important if life were not important, and life is important. Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to them from one moment to the next, or how one will bear it. This is irreducible. And it?s true for everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace. They have to disturb the peace. Otherwise, chaos."

"And yet - when one begins to search for the crucial, the definitive moment, the moment which changed all others, one finds one-self pressing, in great pain, through a maze of false signals and abruptly locking doors."

"Artists are here to disturb the peace."

"As a Negro, you represent a level of experience which Americans deny."

"At the rate things are going here, all of Africa will be free before we can get a lousy cup of coffee."

"Be careful what you set your heart upon -- for it will surely be yours."

"Because I was raised in a Christian culture I never considered myself to be a totally free human being."

"But it is not permissible that the authors of devastation should also be innocent. It is the innocence which"

"Books taught me that things that tormented me the most were the very things that connected me to everyone who is alive and who had ever been alive."

"Being in trouble can have a funny effect on the mind. I don't know if I can explain this. You go through some days and you seem to be hearing people and you seem to be talking to them and you seem to be doing your work, or, at least, your work gets done; but you haven't seen or heard a soul and if someone asked you what you have done that day you'd have to think awhile before you could answer. But at the same time, and even on the self-same day-- and this is what is hard to explain--you see people like you never saw them before."

"Beneath the face of anyone you ever loved for true - anyone you love, you will always love, love is not at the mercy of time and it does not recognize death, they are strangers to each other - beneath the face of the beloved, however ancient, ruined, and scarred, is the face of the baby your love once was, and will always be, for you. Love serves, then, if memory doesn't, and passion, apart from its tense relation to agony, labors beneath the shadow of death. Passion is terrifying, it can rock you, change you, bring your head under, as when a wind rises from the bottom of the sea, and you're out there in the craft of your mortality, alone."

"But it?s not possible to forget anybody you were that hung up on, who was that hung up on you. You can?t forget anything that hurt so badly, went so deep, and changed the world forever. It?s not possible to forget anybody you?ve destroyed."

"But it was not the room?s disorder which was frightening; it was the fact that when one began searching for the key to this disorder, one realized that it was not to be found in any of the usual places. For this was not a matter of habit or circumstance or temperament; it was a matter of punishment and grief."

"But, Cass, ask yourself, look out and ask yourself ? wouldn?t you hate all white people if they kept you in prison here?? They were rolling up startling Seventh Avenue. The entire population seemed to be in the streets, draped, almost, from lamp-posts, stoops, and hydrants, and walking through the traffic as though it were not there. ?Kept you here, and stunted you and starved you, and made you watch your mother and father and sister and lover and brother and son and daughter die or go mad or go under, before your very eyes? And not in a hurry, like from one day to the next, but, every day, every day, for years, for generations? Shit. They keep you here because you?re black, while they go around jerking themselves off with all the jazz about the land of the free and the home of the brave. And they want you to jerk yourself off with the same music, too, only keep your distance. Some days, honey, I wish I could turn myself into one big fist and grind this miserable country to powder. Some days, I don?t believe it has a right to exist. Now, you?ve never felt like that, and Vivaldo?s never felt like that. Vivaldo didn?t want to know my brother was dying because he doesn?t want to know that my brother would still be alive if he hadn?t been born black."

"But to look back from the stony plain along the road which led one to that place is not at all the same thing as walking on the road; the perspective to say the very least, changes only with the journey; only when the road has, all abruptly and treacherously, and with an absoluteness that permits no argument, turned or dropped or risen is one able to see all that one could not have seen from any other place."

"But the relationship of morality and power is a very subtle one. Because ultimately power without morality is no longer power."

"Come out, come out, wherever you are!"

"Confession Who knows more of Wanda, the wan, than I do? And who knows more of Terry, the torn, than I do? And who knows more than I do of Ziggy, the Zap, fleeing the rap, using his eyes and teeth to spring the trap, than I do! Or did. Good Lord, forbid that morning?s acre, held in the palm"

"Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore."

"Christianity has operated with an unmitigated arrogance and cruelty -- necessarily, since a religion ordinarily imposes on those who have discovered the true faith the spiritual duty of liberating the infidels."

"But, when the chips are down, its better to be furious with someone you love, or frightened for someone you love, than be put through the merciless horror of being ashamed of someone you love."

"Color is not a human or a personal reality; it is a political reality."