Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Willa Cather, fully Willa Sibert Cather

American Author

"Oh, the Germans classify, but the French arrange!"

"Of all the bewildering things about a new country, the absence of human landmarks is one of the most depressing and disheartening."

"On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark."

"Old people, who have felt blows and toil and known the world's hard hand, need, even more than children do, a woman's tenderness."

"On the farm the weather was the great fact, and men's affairs went on underneath it, as the streams creep under the ice."

"Once giving way to tears, she wept bitterly for all that she had lost, and all that she must lose so soon. Her mother had had the courage to leave everything she loved and to come out here with her father; she in turn ought to show just that same courage about going back, but she could not find it in her heart."

"One afternoon late in October of the year 1697, Euclide Auclair, the philosopher apothecary of Quebec, stood on the top of Cap Diamant gazing down the broad, empty river far beneath him."

"One cannot divine nor forecast the conditions that will make happiness; one only stumbles upon them by chance, in a lucky hour, at the world's end somewhere, and hold fast to the days, as to fortune or fame."

"One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day, though they are not down in the list of subjects from which the conventional novelist works."

"One summer evening in the year 1848, three Cardinals and a missionary were dining together in the gardens of a villa in the Sabine hills, overlooking Rome."

"Only a Woman, divine, could know all that a woman can suffer."

"Only solitary men know the full joys of friendship. Others have their family; but to a solitary and an exile, his friends are everything."

"One January day, thirty years ago, the little town of Hanover, anchored on a windy Nebraska tableland, was trying not to be blown away."

"One might almost say that an apparition is human vision corrected by divine love. I do not see you as you really are, Joseph; I see you through my affection for you. The Miracles of the Church seem to me not to rest so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always."

"One realizes that even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbor’s household, and, underneath, another – secret and passionate and intense – which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him. One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day . . ."

"One may have staunch friends in one's own family, but one seldom has admirers."

"One is best in one's own country."

"One might say that every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure; a cadence, a quality of voice that is exclusively the writer's own, individual, unique. A quality which one can remember without the volume at hand, can experience over and over again in the mind but can never absolutely define, as one can experience in memory a melody, or the summer perfume of a garden... It is a common fallacy that a writer, if he is talented enough, can achieve this poignant quality by improving upon his subject-matter, by using his "imagination" upon it and twisting it to suit his purpose. The truth is that by such a process (which is not imaginative at all!) he can at best produce only a brilliant sham, which, like a badly built and pretentious house, looks poor and shabby after a few years. If he achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine. The artist spends a lifetime in pursuing the things that haunt him, in having his mind "teased" by them, in trying to get these conceptions down on paper exactly as they are to him and not in conventional poses supposed to reveal their character; trying this method and that, as a painter tries different lightings and different attitudes with his subject to catch the one that presents it more suggestively than any other. And at the end of a lifetime he emerges with much that is more or less happy experimenting, and comparatively little that is the very flower of himself and his genius."

"Only the stupid and the phlegmatic should teach."

"People can be lovers and enemies at the same time, you know. We were... A man and woman draw apart from that long embrace, and see what they have done to each other... In age we lose everything; even the power to love."

"People always think the bread of another country is better than their own."

"Personal hatred and family affection are not incompatible; they often flourish and grow strong together."

"Paris is a hard place to leave, even when it rains incessantly and one coughs continually from the dampness."

"People live through such pain only once. Pain comes again—but it finds a tougher surface."

"People have to snatch at happiness when they can, in this world. It is always easier to lose than to find."

"Personal life becomes paler as the imaginative life becomes richer."

"Perhaps I am like Carrie Jensen, the sister of one of my hired men. She had never been out of the cornfields, and a few years ago she got despondent and said life was just the same thing over and over, and she didn't see the use of it. After she had tried to kill herself once or twice, her folks got worried and sent her over to Iowa to visit some relations. Ever since she's come back she's been perfectly cheerful, and she says she's contented to live and work in a world that's so big and interesting. She said that anything as big as the bridges over the Platte and the Missouri reconciled her. And it's what goes on in the world that reconciles me."

"Pittsburgh was even more vital, more creative, more hungry for culture than New York. Pittsburgh was the birthplace of my writing."

"Prayers said by good people are always good prayers"

"Religion and art spring from the same root and are close kin. Economics and art are strangers."

"Religion is different from everything else; because in religion seeking is finding."

"Schools are not meant to make boys happy, Cécile, but to teach them to do without happiness."

"She remembered home as a place where there were always too many children, a cross man and work piling up around a sick woman."

"She had never known before how much the country meant to her. The chirping of the insects in the long grass had been like the sweetest music. She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun. Under the long shaggy ridges, she felt the future stirring."

"She lent herself to immemorial human attitudes which we recognize by instinct as universal and true… she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture that somehow revealed the meaning in common things."

"She had certain thoughts which were like companions, ideas which were like older and wiser friends."

"She used to drag her mattress beside her low window and lie awake for a long while, vibrating with excitement, as a machine vibrates from speed. Life rushed in upon her through that window - or so it seemed. In reality, of course, life rushes from within, not from without. There is no work of art so big or so beautiful that is was not once all contained in some youthful body, like this one which lay on the floor in the moonlight, pulsing with ardor and anticipation."

"She sat down at the piano and began to run over the first act of the Walkure, the last of his roles they had practiced together; playing listlessly and absently at first, but with gradually increasing seriousness. Perhaps it was the still heat of the summer night, perhaps it was the heavy odors from the garden that came in through the open windows; but as she played there grew and grew the feeling that he was there, beside her, standing in his accustomed place. In the duet at the end of the first act she heard him clearly: Thou art the Spring for which I sighed in Winter's cold embraces. Once as he sang it, he had put his arm about her, his one hand under her heart, while with the other he took her right from the keyboard, holding her as he always held Sieglinde when he drew her toward the window. She had been wonderfully the mistress of herself at the time; neither repellent nor acquiescent. She remembered that she had rather exulted, then, in her self-control--which he had seemed to take for granted, though there was perhaps the whisper of a question from the hand under her heart. Thou art the Spring for which I sighed in Winter's cold embraces. Caroline lifted her hands quickly from the keyboard, and she bowed her head in them, sobbing."

"Some people's lives are affected by what happens to their person or their property; but for others fate is what happens to their feelings and their thoughts. That and nothing more."

"She would take any amount of trouble to avoid trouble."

"Some memories are realities and are better than anything that can ever happen to one again."

"Sometimes I wonder why God ever trusts talent in the hands of women, they usually make such an infernal mess of it. I think He must do it as a sort of ghastly joke."

"Some things are best learned in calm, others in storm."

"Success is less interesting than struggle. There is great pleasure in the effort."

"Sometimes a neighbor whom we have disliked a lifetime for his arrogance and conceit lets fall a single commonplace remark that shows us another side, another man, really; a man uncertain, and puzzled, and in the dark like ourselves."

"Sometimes, I ventured, it doesn't occur to boys that their mother was ever young and pretty. . . I couldn't stand it if you boys were inconsiderate, or thought of her as if she were just somebody who looked after you. You see I was very much in love with your mother once, and I know there's nobody like her."

"That is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep."

"That irregular and intimate quality of things made entirely by the human hand."

"Success is never so interesting as struggle"

"That shaggy grass country had ripped me with a passion I have never been able to shake. It has been the happiness and the curse of my life."