Great Throughts Treasury

"Am I alone in my egotism when I say that never does the pale light of dawn filter through the blinds of 52 Tavistock Square but I open my eyes and exclaim, Good God! Here I am again! not always with pleasure, often with pain; sometimes in a spasm"

"Among the tortures and devastations of life is this then - our friends are not able to finish their stories."

"An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know. All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!-that it must end; and no one in the whole world would know how she had loved it all; how, every instant."

"Am I too fast, too facile? I do not know. I do not know myself sometimes, or how to measure and name and count out the grains that make me what I am."

"And for some reason she held the sentence suspended without meaning in her mind’s ear, …quite enough for everybody at present, she repeated. After all the foreign languages she had been hearing, it sounded to her pure English. What a lovely language, she thought, saying over to herself again the common place words."

"And I is high tide. Swell. He arches his back. I feel a fresh miss that cableaz? that proud steed that rider hits him with spurs and Harness it then. You, that I wear on his back, tell me what enemy is the one who came to see us, while our rings clatter on the pavement? 's Death. Death is the enemy. I can run against her spear lying down, with long hair flying behind me like tresses of a young man as you gallop Percival's tresses in India. Stick spurs into the horse's ribs. Unbridled and ruthless, I can run against you, Death! waves crashing to shore."

"And if we can imagine the art of fiction come alive and standing in our midst, she would undoubtedly bid us break her and bully her, as well as honor and love her, for so her youth is renewed and her sovereignty assured."

"And here it would seem from some ambiguity in her terms that she was censuring both sexes equally, as if she belonged to neither; and indeed, for the time being she seemed to vacillate; she was man; she was woman; she knew the secrets, shared the weaknesses of each. It was a most bewildering and whirligig state of mind to be in. The comforts of ignorance seemed utterly denied her. She was a feather blown on the gale. Thus it is no great wonder if, as she pitted one sex against the other, and found each alternately full of the most deplorable infirmities, and was not sure to which she belonged…."

"And indeed, it cannot be denied that the most successful practitioners of life, often unknown people by the way, somehow contrive to synchronize the sixty or seventy different times which beat simultaneously in every normal human system, so that when eleven strikes, all the rest chime in unison, and the present is neither a violent disruption nor completely forgotten in the past."

"And I will now rock the brown basin from side to side so that my ships may ride the waves. Some will founder. Some will dash themselves against the cliffs. One sails alone. That is my ship. It sails into icy caverns where the sea-bear barks and stalactites swing green chairs. The waves rise, their crests curl; look at the lights on the mastheads. They have scattered, they have foundered, all except my ship which mounts the wave and sweeps before the gale and reaches the islands where the parrots chatter and then the creepers."

"And it was awfully strange, he thought, how she still had the power, as she came tinkling, rustling, still had the power as she came across the room, to make the moon, which he detested, rise at Bourton on the terrace in the summer sky."

"And now more than anything I want beautiful prose. I relish it more and more exquisitely."

"and really it would profit little to write down what they said, for they knew each other so well that they could say anything they liked, which is tantamount to saying nothing, or saying such stupid, prosy things, as how to cook an omelet, or where to buy the best boots in London, which have no lustre taken from their setting, yet are positively of amazing beauty within it. For it has come about, by the wise economy of nature, that our modern spirit can almost dispense with language; the commonest expressions do, since no expressions do; hence, the most ordinary conversation is often the most poetic, and the most poetic is precisely that which cannot be written down. For which reasons we leave a great blank here, which must be taken to indicate that the space is filled to repletion."

"And the poem, I think, is only your voice speaking."

"And that's the last oath I shall ever be able to swear, she thought; once I set foot on English soil. And I shall never be able to crack a man over the head, or tell him he lies in his teeth, or draw my sword and run him through the body, or sit among my peers, or wear a coronet, or walk in procession, or sentence a man to death, or lead an army, or prance down Whitehall on a charger, or wear seventy-two different medals on my breast. All I can do, once I set foot on English soil, is to pour out tea and ask my lords how they like it. D'you take sugar? D'you take cream? And mincing out the words, she was horrified to perceive how low an opinion she was forming of the other sex, the manly, to which it had once been her pride to belong."

"And then he could not see her come into a room without a sense of the flowing of robes, of the flowering of blossoms, of the purple waves of the sea, of all things that are lovely and mutable on the surface but still and passionate in their heart."

"And then she looked up and saw Flush. Something unusual in his look must have struck her. She paused. She laid down her pen. Once he had roused her with a kiss, and she thought that he was Pan. He had eaten chicken and rice pudding soaked in cream. He had given up the sunshine for her sake. She called him to her and said she forgave him."

"And this susceptibility of theirs is doubly unfortunate , I thought, returning again to my original enquiry into what state of mind is propitious for creative work, because the mind of an artist, in order to achieve to the prodigious effort of freeing whole and entire the work that is in him, must be incandescent, like Shakespeare's mind, I conjectured, looking at the book which lay open at Antony and Cleopatra. There must be no obstacle in it, no foreign matter unconsumed."

"And there rose in her an unmastering desire to overcome her; to unmask her. If she could have felled her it would have eased her. But it was not the body; it was the soul and its mockery that she wished to subdue; make feel her mastery."

"And thus by degrees was lit, halfway down the spine, which is the seat of the soul, not that hard little electric light which we call brilliance, as it pops in and out upon our lips, but the more profound, subtle and subterranean glow, which is the rich, yellow flame of rational intercourse. No need to hurry. No need to sparkle. No need to be anybody but oneself."

"And there is a dignity in people; a solitude; even between husband and wife a gulf; and that one must respect, thought Clarissa, watching him open the door; for one would not part with it oneself, or take it, against his will, from one's husband, without losing one's independence, one's self-respect—something, after all, priceless."

"And then she said to herself, brandishing her sword at life, nonsense."

"And you wish to be a poet; and you wish to be a lover."

"And what then? For she felt that he was still looking at her, but that his look had changed. he wanted something-wanted the thing she always found it so difficult to give him; wanted her to tell him that she loved him. And that, no, she could not do. He found talking so much easier than she did. He could say things- she never could. So naturally it was always he that said the things, and then for some reason he would mind this suddenly, and would reproach her. A heartless woman he called her; she never told him that she loved him. But it was not so- it was not so. It was only that she never could say what she felt. Was there no crumb on his coat? Nothing she could do for him? Getting up, she stood at the window with the reddish-brown stocking in her hands, partly to turn away from him, partly because she remembered how beautiful it often is- the sea at night. But she knew that he had turned his head as she turned; he was watching her. She knew that he was thinking, you are more beautiful than ever. And she felt herself very beautiful. Will you not tell me just for once that you love me? He was thinking that, for he was roused, what with Minta and his book, and its being the end of the day and their having quarreled about going to the lighthouse. But she could not do it; she could not say it. Then, knowing that he was watching her, instead of saying anything she turned, holding her stocking, and looked at him. And as she looked at him she began to smile, for though she had not said a word, he knew, of course he knew, that she loved him. He could not deny it. And smiling she looked out of the window and said (thinking to herself, nothing on earth can equal this happiness)"

"Anon, who wrote so many poems without signing them, was often a woman."

"And yet, the only exciting life is the imaginary one."

"Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world."

"Anyone who’s worth anything reads just what he likes, as the mood takes him, and with extravagant enthusiasm."

"Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighborhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts."

"Arnold Bennett says that the horror of marriage lies in its “dailiness.” All acuteness of relationship is rubbed away by this. The truth is more like this: life — say 4 days out of 7 — becomes automatic; but on the 5th day a bead of sensation (between husband and wife) forms which is all the fuller and more sensitive because of the automatic customary unconscious days on either side. That is to say the year is marked by moments of great intensity. Hardy’s “moments of vision.” How can a relationship endure for any length of time except under these conditions?"

"Are we so made that we have to take death in small doses daily or we could not go on with the business of living?"

"Anything may happen when womanhood has ceased to be a protected occupation."

"Arrange whatever pieces come your way."

"As a woman I have no country. As a woman my country is the whole world."

"As for my next book, I am going to hold myself from writing it till I have it impending in me: grown heavy in my mind like a ripe pear, pendant, gravid, asking to be cut or it will fall."

"As a cloud crosses the sun, silence falls on London; and falls on the mind. Effort ceases. Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame. Where there is nothing, Peter Walsh said to himself; feeling hollowed out, utterly empty within. Clarissa refused me, he thought. He stood there thinking, Clarissa refused me."

"As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either."

"As for my next book, I won't write it till it has grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall."

"As long as she thinks of a man, nobody objects to a woman thinking."

"As for the soul: why did I say I would leave it out? I forget. And the truth is, one can't write directly about the soul. Looked at, it vanishes; but look at the ceiling, at Grizzle, at the cheaper beasts in the Zoo which are exposed to walkers in Regent's Pak, and the soul slips in. Mrs. Webb's book has made me think a little what I could say of my own life. But then there were causes in her life: prayer; principle. None in mine. Great excitability and search after something. Great content – almost always enjoying what I'm at, but with constant change of mood. I don't think I'm ever bored. Yet I have some restless searcher in me. Why is there not a discovery in life? Something one can lay hands on and say 'This is it'? What is it? And shall I die before I can find it? Then (as I was walking through Russell Square last night) I see mountains in the sky: the great clouds, and the moon which is risen over Persia; I have a great and astonishing sense of something there, which is 'it' – A sense of my own strangeness, walking on the earth is there too. Who am I, what am I, and so on; these questions are always floating about in me. Is that what I meant to say? Not in the least. I was thinking about my own character; not about the universe. Oh and about society again; dining with Lord Berners at Clive's made me think that. How, at a certain moment, I see through what I'm saying; detest myself; and wish for the other side of the moon; reading alone, that is."

"As the streets that lead from the Strand to the Embankment are very narrow, it is better not to walk down them arm-in-arm. If you persist, lawyers"

"As summer neared, as the evening lengthened there came to the wakeful, the hopeful, walking the beach, stirring the pool, imaginations of the strangest kind- of flesh turned to atoms which drove before the wind, of stars flashing in their hearts, of outwardly the scattered parts of the vision within. In those mirrors, the minds of men, in those pools of uneasy water, in which cloud forever and shadows form, dreams persisted; and it was impossible to resist the strange intimation which every gull, flower, tree, man and woman, and the white earth itself seemed to declare (but if you questioned at once to withdraw) that good triumph, happiness prevails, order rules, or to resist the extra ordinary stimulus to range hither and thither in search of some absolute good, some crystal of intensity remote from the known pleasures and familiar virtues, something alien to the processes of domestic life, single, hard, bright, like a diamond in the sand which would render the possessor secure. Moreover softened and acquiescent, the spring with their bees humming and gnats dancing threw her cloud about her, veiled her eyes, averted her head, and among passing shadows and fights of small rain seemed to have taken upon her knowledge of the sorrows of mankind."

"At 46 one must be a miser; only have time for essentials."

"As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose"

"At this Helen laughed outright. "Nonsense," she said. "You're not a Christian. You've never thought what you are.—And there are lots of other questions," she continued, "though perhaps we can't ask them yet." Although they had talked so freely they were all uncomfortably conscious that they really knew nothing about each other. "The important questions," Hewet pondered, "the really interesting ones. I doubt that one ever does ask them." Rachel, who was slow to accept the fact that only a very few things can be said even by people who know each other well, insisted on knowing what he meant. "Whether we've ever been in love?" she enquired. "Is that the kind of question you mean?""

"At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever"

"Beauty was not everything. Beauty had this penalty — it came too readily, came too completely. It stilled life — froze it."

"Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalks—all of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere."

"Behind the cotton wool is hidden a pattern; that we—I mean all human beings—are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself."

"Besides, in this random miscellaneous company we may rub against some complete stranger who will, with luck, turn into the best friend we have in the world."