Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Marcel Proust, fully Valentin Louis Georges Eugène Marcel Proust

French Novelist, Critic and Essayist

"The places that we have known belong now only to the little world of space on which we map them for our own convenience. None of them was ever more than a thin slice, held between the contiguous impressions that composed our life at that time; remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years."

"All our final decisions are made in a state of mind that is not going to last."

"Reading is at the threshold of the spiritual life; it can introduce us to it. It does not constitute it ... There are certain cases of spiritual depression in which reading can become a sort of curative discipline ... reintroducing a lazy mind into the life of the Spirit"

"Reality is never more than a first step towards an unknown on the road to which one can never progress very far."

"The differences which exist between every one of our real impressions -- differences which explain why a uniform depiction of life cannot bear much resemblance to the reality -- derive probably from the following cause: the slightest word that we have said, the most insignificant action that we have performed at anyone epoch of our life was surrounded by, and colored by the reflection of things which logically had no connection with it and which later have been separated from it by our intellect which could make nothing of it for its own rational purposes..."

"Facts do not find their way into the world in which our beliefs reside; they did not produce our beliefs, they do not destroy them; they may inflict on them the most constant refutations without weakening them, and an avalanche of afflictions or ailments succeeding one another without interruption in a family will not make it doubt the goodness of its God or the talent of its doctor."

"Most of the supposed expressions of our feelings merely relieve us of them by drawing them out of us in an indistinct form that does not teach us to know them."

"Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us."

"Illness is the doctor to whom we pay most heed; to kindness, to knowledge, we make promise only; pain we obey."

"To achieve accurate knowledge of others, if such a thing were possible, we could only ever arrive at it through the slow and unsure recognition of our own initial optical inaccuracies. However, such knowledge is not possible: for, while our vision of others is being adjusted, they, who are not made of mere brute matter, are also changing; we think we have managed to see them more clearly, but they shift; and when we believe we have them fully in focus, it is merely our older images of them that we have clarified, but which are themselves already out of date."

"Most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services."

"Like everyone who possesses something precious in order to know what would happen if he ceased for a moment to possess it, he had detached the precious object from his mind, leaving, as he thought, everything else in the same state as when it was there. But the absence of one part from a whole is not only that, it is not simply a partial lack, it is a derangement of all the other parts, a new state which it was impossible to foresee in the old."

"What we have not had to decipher, to elucidate by our own efforts, what was clear before we looked at it, is not ours. From ourselves comes only that which we drag forth from the obscurity which lies within us, that which to others is unknown."

"None of us constitutes a material whole, identical for everyone, which a person has only to go look up as though we were a book of specifications or a last testament; our social personality is a creation of the minds of others. Even the very simple act that we call "seeing a person we know" is in part an intellectual one. We fill the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part."

"There is no brew so deadly that it cannot at certain moments become precious and invigorating by giving us just the stimulus that was necessary, the warmth that we cannot generate ourselves."

"We feel very strongly that our own wisdom begins where that of the author leaves off and we could like him to provide us with desires... That is the value of reading and is also its inadequacy. To make it into discipline is to give too large a role to what is only an incitement. Reading is on the threshold of the spiritual life it can introduce us to it: it does not constitute it."

"Were it not for habit, life would seem delightful to beings constantly under threat of dying, in other words to all humankind."

"The fixity of a habit is generally in direct proportion to its absurdity."

"We become moral when we are unhappy."

"Lies are essential to humanity. They are perhaps as important as the pursuit of pleasure and moreover are dictated by that pursuit."

"The human plagiarism which is most difficult to avoid, for individuals...is the plagiarism of ourself."

"As long as men are free to ask what they must, free to say what they think, free to think what they will, freedom can never be lost and science can never regress."

"The bonds that unite another person to ourselves exist only in our mind. Memory as it grows fainter relaxes them, and notwithstanding the illusion by which we would fain be cheated and with which, out of love, friendship, politeness, deference, duty, we cheat other people, we exist alone. Man is the creature that cannot emerge from himself, that knows his fellows only in himself; when he asserts the contrary, he is lying."

"Words do not change their meanings so drastically in the course of centuries as, in our minds, names do in the course of a year or two."

"The paradoxes of today are the prejudices of tomorrow, since the most benighted and the most deplorable prejudices have had their moment of novelty when fashion lent them its fragile grace."

"A powerful idea communicates some of its power to the man who contradicts it."

"Our intellect is not the most subtle, the most powerful, the most appropriate, instrument for revealing the truth. It is life that, little by little, example by example, permits us to see that what is most important to our heart, or to our mind, is learned not by reasoning but through other agencies. Then it is that the intellect, observing their superiority, abdicates its control to them upon reasoned grounds and agrees to become their collaborator and lackey."

"The time at our disposal each day is elastic; the passions we feel dilate it, those that inspire us shrink it, and habit fills it."

"Our intonations contain our philosophy of life, what each of us is constantly telling himself about things."

"A picture?s beauty does not depend on the things portrayed in it."

"But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live."

"His life and family circle changed considerably between 1900 and 1905. In February 1903, Proust's brother Robert married and left the family apartment. His father died in September of the same year. Finally, and most crushingly, Proust's beloved mother died in September 1905."

"A book in which there are theories is like an article from which the price mark has not been removed. And even at that, a price mark merely expresses value, whereas in literature logical reasoning lessens it."

"We needed Germans in Paris to hear Wagner."

"A book is a huge cemetery in which on the majority of the tombs the names are effaced and can no longer be read. Sometimes on the other hand we remember a name well enough but do not know whether anything of the individual who bore it survives in our pages. That girl with the very deep-set eyes and the drawling voice, is she here? and if she is, in what part of the ground does she lie? we no longer know, and how are we to find her beneath the flowers? But since we live at a great distance from other human beings, since even our strongest feelings and in this class had been my love for my grandmother and for Albertine ? at the end of a few years have vanished from our hearts and become for us merely a word which we do not understand, since we can talk casually of these dead people with fashionable acquaintances whose houses we still visit with pleasure though all that we loved has died, surely then, if there exists a method by which we can learn to undrstand these forgotten words once more, is it not our duty to make use of it, even if this means transcribing them first into a language which is universal but which for that very reason will at least be permanent, a language which may make out of those who are no more, in their truest essence, a lasting acquisition for the minds of all mankind? And as for that law of change which made these loved words unintelligible to us, if we succeed at least in explaining it, is not even our infirmity transformed into strength of a new kind?"

"A cathedral, a wave of a storm, a dancer's leap, never turn out to be as high as we had hoped."

"A certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart."

"A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world."

"A change in the weather is sufficient to create the world and ourselves anew."

"A change in the weather is sufficient to recreate the world and ourselves."

"A few hours later, Fran‡oise was able for the last time, and without causing pain, to comb that beautiful hair, which was only slightly graying and had thus far seemed much younger than my grandmother herself. But this was now reversed: the hair was the only feature to set the crown of age on a face grown young again, free of the wrinkles, the shrinkage, the puffiness, the tensions, the sagging flesh which pain had brought to it for so long. As in the distant days when her parents had chosen a husband for her, her features were delicately traced by purity and submission, her cheeks glowed with a chaste expectation, a dream of happiness, an innocent gaiety even, which the years had gradually destroyed. As it ebbed from her, life had borne away its disillusions. A smile seemed to hover on my grandmother?s lips. On that funeral couch, death, like a sculptor of the Middle Ages, had laid her to rest with the face of a young girl."

"A few years later, I would have answered, "I never repeat anything." That is the ritual phrase of society people, by which the gossip is reassured every time."

"A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain"

"A fashionable milieu is one in which everybody's opinion is made up of the opinion of all the others. Has everybody a different opinion? Then it is a literary milieu."

"A doctor who doesn't say too many foolish things is a patient half-cured, just as a critic is a poet who has stopped writing verse and a policeman a burglar who retired from practice."

"A language which we do not know is a fortress sealed."

"A man has almost always the same way of catching cold, and so forth; that is to say, he requires to bring about the event a certain combination of circumstances; it is natural that when he falls in love he should love a certain class of woman, a class which for that matter is very numerous."

"A man is not more entitled to be "received in good society," or at least to wish to be, because he is more intelligent and cultivated. This is one of those sophisms that the vanity of intelligent people picks up in the arsenal of their intelligence to justify their basest inclinations. In other words, having become more intelligent creates some rights to be less. Very simply, diverse personalities are to be found in the breast of each of us, and often the life of more than one superior man is nothing but the coexistence of a philosopher and a snob. Actually, there are very few philosophers and artists who are absolutely detached from ambition and respect for power, from "people of position." And among those who are more delicate or more sated, snobism replaces ambition and respect for power in the same way superstition arises on the ruins of religious beliefs. Morality gains nothing there. Between a worldly philosopher and a philosopher intimidated by a minister of state, the second is still the more innocent."

"A man of letters, merely by reading a phrase, can estimate exactly the literary merit of its author."

"A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you shew him their radiograph, will have, face to face with that rosary of bones, labeled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: Dromedary resting."