This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Ernest Hemingway, fully Ernest Miller Hemingway
'Let's leave it alone, Eddy,' Thomas Hudson said. 'It's way past things we know about.'
Confidence | Knowing | Right | Time | Forgive |
Ernest Hemingway, fully Ernest Miller Hemingway
The individual, the great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
Ernest Hemingway, fully Ernest Miller Hemingway
You did not have to like it because you understood it. He could beat anything, he thought, because nothing could hurt him if he did not care.
Ernest Hemingway, fully Ernest Miller Hemingway
When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.
Day | Light | Love | Means | Nothing | Story | Time | Will | Work |
Ernest Hemingway, fully Ernest Miller Hemingway
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerÂ’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manÂ’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
Change | Day | Good | Knowing | Light | Luck | Story | Luck |
Ernest Hemingway, fully Ernest Miller Hemingway
Worry a little bit every day and in a lifetime you will lose a couple of years. If something is wrong, fix it if you can. But train yourself not to worry: Worry never fixes anything.
War |
Ernest Hemingway, fully Ernest Miller Hemingway
Now Tom was - the hell with that, he said to himself. It is something that happens to everybody. I should know about that by now. It is the only thing that is really final, though.
Books |
Erwin Schrödinger, fully Erwin Rudolf Josef Alexander Schrödinger
For thousands of years men have striven and suffered and begotten and woman have brought forth in pain. A hundred years ago, perhaps, another man sat on this spot; like you he gazed with awe and yearning in his heart at the dying light on the glaciers. Like you he was begotten of man and born of woman. He felt pain and brief joy as you do. Wash someone else? Was it not you yourself? What is this Self of yours? What was the necessary condition for making the thing conceived this time into you, just you and not someone else?
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
You can either read something many times in order to be assured that you got it all, or else you can define your purpose and use techniques which will assure that you have met it and gotten what you need.
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
What we have today, in modern industrial society, is not romantic and certainly not utopianÂ…But it is in very deep trouble and holds no promise of survival. We jolly well have to have the courage to dream if we want to survive and give our children a chance of survival.
Education | Metaphysics | Present | Soul | World | Understand |
Che Guevara, fully Ernesto “Che” Guevara
Every day people fixes her hair, why not the heart?
Defeat |
Ernst Haeckel, full name Ernst Heinrich Phillip August Haeckel
At the lowest stage, the rude--we may say animal--phase of prehistoric primitive man, is the "ape-man," who, in the course of the tertiary period, has only to a limited degree raised himself above his immediate pithecoid ancestors, the anthropoid apes. Next come successive stages of the lowest and simplest kind of culture, such as only the rudest of still existing primitive peoples enable us in some measure to conceive. These "savages" are succeeded by peoples of a low civilization, and from these again, by a long series of intermediate steps, we rise little by little to the more highly civilized nations. To these alone--of the twelve races of mankind only to the Mediterranean and Mongolian--are we indebted for what is usually called "universal history." This last, extending over somewhat less than six thousand years, represents a period of infinitesimal duration in the long millions of years of the organic world's development.
Arrogance | Earth | Illusion | Man | Mother | Organic | Position | Universe |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
I have argued all along, no system of machinery or economic doctrine or theory stands on its own feet: it is invariably built on a metaphysical foundation, that is to say, upon man's basic outlook on life, its meaning and its purpose.
Technology | Will |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
The cultivation and expansion of needs is the antithesis of wisdom. It is also the antithesis of freedom and peace. Every increase in needs tends to increase one's dependence on outside forces over which one cannot have control, and therefore increases existential fear. Only by a reduction of needs can one promote a genuine reduction in those tensions which are the ultimate causes of strife and war.
Attention | Economics | People | Problems | System | Thinking | Thought | Will | Wisdom | Thought |
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
There is no such thing as the viability of states or of nations, there is only a problem of viability of people: people, actual persons like you and me, are viable when they can stand on their own feet and earn their keep. You do not make non-viable people viable by putting large numbers of them into one huge community, and you do not make viable people non-viable by splitting a large community into a number of smaller, more intimate, more coherent and more manageable groups.
Erwin Schrödinger, fully Erwin Rudolf Josef Alexander Schrödinger
The unity and continuity of Vedanta are reflected in the unity and continuity of wave mechanics. This is entirely consistent with the Vedanta concept of All in One.