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Hans Küng

However, if the religions in essence merely repeat statements from the United Nations Human Rights Declaration, such a Declaration becomes superfluous; an ethic is more than rights.

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The famous assertion by Einstein that the length of a rod depends on its velocity and on the chosen definition of simultaneity. ...is based on the fact that we do not measure the length of the rod, but its projection on a system at rest. How the length of the projection depends on the choice of simultaneity can be illustrated by reference to a photograph taken through a focal-plane shutter. Such a shutter... consists of a wide band with a horizontal slit, which slides down vertically. Different bands are photographed successively on the film. Moving objects are therefore strangely distorted; the wheels of a rapidly moving car for instance, appear to be slanted. The shape of the objects in the picture will evidently depend on the speed of the shutter. Similarly, the length of the moving segment depends on the definition of simultaneity. One definition of simultaneity differs from another because events that are simultaneous for one definition occur successively for another. What may be a simultaneity projection of a moving segment for one definition is a "focal-plane shutter photograph" for another.

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Hans Hoffman

Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.

Wise |

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Hannah Arendt

The greatest evil perpetrated is the evil committed by nobodies, that is, by human beings who refuse to be persons

Thought | Wise | Thought |

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Hannah Arendt

There are many great authors of the past who have survived centuries of oblivion and neglect, but it is still an open question whether they will be able to survive an entertaining version of what they have to say.

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Hans Hoffman

Monumentality is an affair of relativity. The truly monumental can only come about by means of the most exact and refined relation between parts. Since each thing carries both a meaning of its own and an associated meaning in relation to something else ? its essential value is relative. We speak of the mood we experience when looking at a landscape. This mood results from the relation of certain things rather than from their separate actualities. This is because objects do not in themselves possess the total effect they give when interrelated.

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