This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Erma Bombeck, fully Erma Louise Bombeck, born Erma Fiste
In general my children refuse to eat anything that hasn't danced in television.
The fact that we are different doesn't mean that one of us is wrong — it just means that there's a different kind of right.
Erma Bombeck, fully Erma Louise Bombeck, born Erma Fiste
Raising a family wasn't something I put on my resumé, but I have to ask myself, would I apply for the same job again?
Ernest Hemingway, fully Ernest Miller Hemingway
Don't you ever get the feeling that all your life is going by and you're not taking advantage of it? Do you realize you've lived nearly half the time you have to live already?
Ernest Hemingway, fully Ernest Miller Hemingway
It is the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not fear or dread. It was a nothing that he knew too well. It was all a nothing and a man was nothing too.
Ernest Hemingway, fully Ernest Miller Hemingway
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerÂ’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manÂ’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
Change | Day | Good | Knowing | Light | Luck | Story | Luck |
Anytime you have physical discomfort of any kind, whether you call it emotional or physical pain within your body, it ALWAYS means the same thing: "I have a desire that is summoning energy, but I have a belief that is not allowing, so I've created resistance in my body." The solution, every single time, to the releasing of discomfort and pain is the relaxation and the reaching for the feeling of relief.
E. F. Schumacher, fully Ernst Friedrich "Fritz" Schumacher
One of the most fateful errors of our age is the belief that the problem of production has been solved. The illusionÂ…is mainly due to our inability to recognize that the modern industrial system, with all its intellectual sophistication, consumes the very basis on which it has been erected. To use the language of the economist, it lives on irreplaceable capital which it cheerfully treats as income.
Change | Experience | Ideas | Thought | Thought |
Che Guevara, fully Ernesto “Che” Guevara
Many people were killed in the long road to victory.
Che Guevara, fully Ernesto “Che” Guevara
Words that do not match deeds are unimportant.
Change | Ignominy | Inevitable | Order | People | Protest | System |
Assuming that his talent can survive the increasing strain, there is one scarcely avoidable danger that lies ahead of the pupil on his road to mastery. Not the danger of wasting himself in idle self-gratification - for the East has no aptitude for this cult of the ego - but rather of getting stuck in his achievement, which is confirmed by his success and magnified by his renown: in other words, of behaving as if the artistic existence were a form of life that bore witness to its own validity. The teacher foresees this danger. Carefully and with the adroitness of a psycho-pomp he seeks to head the pupil off in time and to detach him from himself. This he does by pointing out, casually and as though it were scarcely worth a mention in view of all that the pupil has already learned, that all right doing is accomplished only in a state of true selflessness, in which the doer cannot be present any longer as himself. Only the spirit is present, a kind of awareness which shows no trace of ego-hood and for that reason ranges without limit through all distances and depths, with eyes that hear and with ears that see.
In my eyes, concepts of theology have only as much value as they are able to interpret experience. It seems to me that we have long reached the point where we theologians only talk to ourselves and debate with our own history of concepts.
Change | Faith | God | Love | People | Poetry | Talking | Teach | Writing | God |
Don't think of what you have to do, don't consider how to carry it out! he exclaimed. The shot will only go smoothly when it takes the archer himself by surprise.
Aptitude | Awareness | Cult | Danger | Ego | Existence | Life | Life | Present | Reason | Right | Spirit | Success | Time | Witness | Worth | Talent | Danger | Awareness | Teacher |
Eugene V. Debs, fully Eugene Victor Debs
Wherever capitalism appears, in pursuit of its mission of exploitation, there will Socialism, fertilized by misery, watered by tears, and vitalized by agitation be also found, unfurling its class-struggle banner and proclaiming its mission of emancipation.
Gore Vidal, fully Eugene Luther Gore Vidal
In matters of faith, inconvenient evidence is always suppressed while contradictions go unnoticed.