This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Emily Brontë, fully Emily Jane Brontë, aka pseudonym Ellis Bell
And wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth.
Distinction | Heart | Life | Life | Regard | Society | Society |
Emily Brontë, fully Emily Jane Brontë, aka pseudonym Ellis Bell
I have no pity! I have no pity! The more the worms writhe, the more I yearn to crush out their entrails! It is a moral teething; and I grind with greater energy in proportion to the increase of pain.
Anticipation | Heart | Hope | Humor | Will |
The average mind is slow in grasping a truth, but when the most thoroughly organized, centralized institution, maintained at an excessive national expense, has proven a complete social failure, the dullest must begin to question its right to exist. The time is past when we can be content with our social fabric merely because it is "ordained by divine right," or by the majesty of the law.
Emmanuel Lévinas , originally Emanuelis Lévinas
We could formulate the result of our analyses in the following way: the existence of material things contains in itself a nothingness, a possibility of not-being. This does not mean that things do not exist but that their mode of existing contains precisely the possible negation of itself.
Emmanuel Lévinas , originally Emanuelis Lévinas
The exterior - if one insists on this term - remains uncorrelated with an interior. It is no longer given. It is no longer a world. What we call the I is itself submerged by the night, invaded, depersonalized, stifled by it.
Heart | Inspiration | Time |
If you get rid of the four-layered neurotic shield, the armor that covers the characterological lie about life, how can you talk about “enjoying” this Pyrrhic victory? The person gives up something restricting and illusory, it is true, but only to come face to face with something even more awful: genuine despair. Full humanness means full fear and trembling, at least some of the waking day. When you get a person to emerge into life, away from his dependencies, his automatic safety in the cloak of someone else's power, what joy can you promise him with the burden of his aloneness? When you get a person to look at the sun as it bakes down on the daily carnage taking place on earth, the ridiculous accidents, the utter fragility of life, the powerÂlessness of those he thought most powerful—what comfort can you give him from a psychotherapeutic point of view? Luis Buimel likes to introduce a mad dog into his films as counterpoint to the secure daily routine of repressed living. The meaning of his symÂbolism is that no matter what men pretend, they are only one acÂcidental bite away from utter fallibility. The artist disguises the incongruity that is the pulse-beat of madness but he is aware of it. What would the average man do with a full consciousness of abÂsurdity? He has fashioned his character for the precise purpose of putting it between himself and the facts of life; it is his special tour-de-force that allows him to ignore incongruities, to nourish himself on impossibilities, to thrive on blindness. He accomplishes thereby a peculiarly human victory: the ability to be smug about terror. Sartre has called man a "useless passion" because he is so hopelessly bungled, so deluded about his true condition. He wants to be a god with only the equipment of an animal, and so he thrives on fantasies. As Ortega so well put it in the epigraph we have used for this chapter, man uses his ideas for the defense of his existence, to frighten away reality. This is a serious game, the defense of one's existence—how take it away from people and leave them joyous?
Absolute | Character | Discussion | Dread | Faith | Feelings | Heart | Hero | Life | Life | Man | Meaning | Mystery | Psychology | Religion | Self | Service | Time | Value |
Ernest Hemingway, fully Ernest Miller Hemingway
Honor to a Spaniard, no matter how dishonest, is as real a thing as water, wine, or olive oil. There is honor among pickpockets and honor among whores. It is simply that the standards differ.
Ernest Hemingway, fully Ernest Miller Hemingway
Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like cork-screws, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. RomeroÂ’s bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bull-fighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bull-fighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing.
Ernest Hemingway, fully Ernest Miller Hemingway
My life used to be full of everything. Now if you aren't with me I haven't a thing in the world.
Heart |
Ernest Hemingway, fully Ernest Miller Hemingway
Nobody ever lives their life all the way up except bullfighters.
Heart |
Ernest Hemingway, fully Ernest Miller Hemingway
When you have a child, the world has a hostage.
Ability | Character | Dignity | Enough | Experience | Good | Heart | Intelligence | Knowledge | Life | Life | Little | Luck | Man | Men | People | Price | Science | Time | Will | Work | Writing | Luck | Learn | Old | Understand |