Great Throughts Treasury

This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.

Related Quotes

Ernest Becker

The road to creativity passes so close to the madhouse and often detours or ends there.

Anxiety | Anxiety | Man |

Ernest Becker

We said that the point was that even with the highest personal development and liberation, the person comes up against the real despair of the human condition. Indeed, because of that develop­ment his eyes are opened to the reality of things; there is no turn­ing back to the comforts of a secure and armored life. The person is stuck with the full problem of himself, and yet he cannot rely on himself to make any sense out of it. For such a person, as Camus said, "the weight of days is dreadful." What does it mean, then, we questioned in Chapter Four, to talk fine-sounding phrases like "Being cognition," "the fully centered person," "full humanism," "the joy of peak experiences," or whatever, unless we seriously qualify such ideas with the burden and the dread that they also carry? Finally, with these questions we saw that we could call into doubt the pretensions of the whole therapeutic enterprise. What joy and comfort can it give to fully awakened people? Once you accept the truly desperate situation that man is in, you come to see not only that neurosis is normal, but that even psychotic failure represents only a little additional push in the routine stumbling along life's way. If repression makes an untenable life liveable, self-knowledge can entirely destroy it for some people.

Anxiety | Anxiety | Death | Experience | Fear | Life | Life |

Ernest Becker

How does one transcend himself; how does he open himself to new possibility? By realizing the truth of his situation, by dispelling the lie of his character, by breaking his spirit out of its conditioned prison. The enemy, for Kierkegaard as for Freud, is the Oedipus complex. The child has built up strategies and techniques for keep­ing his self-esteem in the face of the terror of his situation. These techniques become an armor that hold the person prisoner. The very defenses that he needs in order to move about with self-con­fidence and self-esteem become his life-long trap. In order to transcend himself he must break down that which he needs in order to live. Like Lear he must throw off all his "cultural lendings" and stand naked in the storm of life. Kierkegaard had no illusions about man's urge to freedom. He knew how comfortable people were in­side the prison of their character defenses. Like many prisoners they are comfortable in their limited and protected routines, and the idea of a parole into the wide world of chance, accident, and choice terrifies them. We have only to glance back at Kierkegaard's con­fession in the epigraph to this chapter to see why. In the prison of one's character one can pretend and feel that he is somebody, that the world is manageable, that there is a reason for one's life, a ready justification for one's action. To live automatically and un­critically is to be assured of at least a minimum share of the pro­grammed cultural heroics—what we might call "prison heroism": the smugness of the insiders who "know."

Anxiety | Anxiety | Argument | Character | Faith | Means | Understand |

Ernest Becker

I think that taking life seriously means something such as this: that whatever man does on this planet has to be done in the lived truth of the terror of creation, of the grotesque, of the rumble of panic underneath everything. Otherwise it is false. Whatever is achieved must be achieved with the full exercise of passion, of vision, of pain, of fear, and of sorrow. How do we know ... that our part of the meaning of the universe might not be a rhythm in sorrow?

Competence | Good | Reputation | Science | Thought | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

He thought of the Riviera, as it was then before it had all been built up, with the lovely stretches of blue sea and the sand beaches and the stretches of pine woods and the mountains of the Esterel going out into the sea. He remembered it as it was when he and Zelda had first found it before people went there for the summer.

Life | Life | Thought | Time | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

I love sleep. My life has the tendency to fall apart when I'm awake, you know?

Better | Thought | Wonder | Thought | Understand |

Ernest Becker

Anthropological and historical research also began, in the nine­teenth century, to put together a picture of the heroic since primi­tive and ancient times. The hero was the man who could go into the spirit world, the world of the dead, and return alive. He had his descendants in the mystery cults of the Eastern Mediterranean, which were cults of death and resurrection. The divine hero of each of these cults was one who had come back from the dead. And as we know today from the research into ancient myths and rituals, Christianity itself was a competitor with the mystery cults and won out—among other reasons—because it, too, featured a healer with supernatural powers who had risen from the dead. These cults, as G. Stanley Hall so aptly put it, were an attempt to attain "an immunity bath" from the greatest evil: death and the dread of it. All historical reli­gions addressed themselves to this same problem of how to bear the end of life. Religions like Hinduism and Buddhism performed the ingenious trick of pretending not to want to be reborn, which is a sort of negative magic: claiming not to want what you really want most.

Anxiety | Anxiety | Control | Death | Fighting | Good | Health | Illusion | Life | Life | Man | Means | Necessity | Need | Play | Question | Reality | Right | Science | Security | Self-deception | Time | Will | World |

Ernest Hemingway, fully Ernest Miller Hemingway

A man's got to take a lot of punishment to write a really funny book.

Discipline | Honesty | Man | Necessity | Thought | Thought |

Ernest Becker

And so, the question for the science of mental health must be­come an absolutely new and revolutionary one, yet one that re­flects the essence of the human condition: On what level of illusion does one live? We will see the import of this at the close of this chapter, but right now we must remind ourselves that when we talk about the need for illusion we are not being cynical. True, there is a great deal of falseness and self-deception in the cultural causa-sui project, but there is also the necessity of this project. Man needs a "second" world, a world of humanly created meaning, a new reality that he can live, dramatize, nourish himself in. "Illusion" means creative play at its highest level. Cultural illusion is a necessary ideology of self-justification, a heroic dimension that is life itself to the symbolic animal. To lose the security of heroic cultural illusion is to die—that is what "deculturation" of primitives means and what it does. It kills them or reduces them to the animal level of chronic fighting and fornication. Life becomes possible only in a continual alcoholic stupor. Many of the older American Indians were relieved when the Big Chiefs in Ottawa and Washington took control and prevented them from warring and feuding. It was a relief from the constant anxiety of death for their loved ones, if not for themselves. But they also knew, with a heavy heart, that this eclipse of their traditional hero-systems at the same time left them as good as dead.

Absolute | Anxiety | Anxiety | Cause | Confidence | Order | Parents | Power | Question | Security | Self | Society | Terror | Understanding | Weakness | Worth | Society | Child | Think |

Ernest Hemingway, fully Ernest Miller Hemingway

He told me how he had first met her during the war and then lost her and won her back, and about their marriage and then about something tragic that had happened to them at St-Raphael about a year ago. This first version that he told me of Zelda and a French naval aviator falling in love was truly a sad story and I believe it was a true story. Later he told me other versions of it as though trying them for use in a novel, but none was as sad as this first one and I always believed the first one, although any of them might have been true. They were better told each time; but they never hurt you the same way the first one did.

People | Thought | Thought |

Ernest Becker

In other words, it is not so much a question as to whether we are able to cure a patient, whether we can or not, but whether we should or not.

Ability | Character | Comfort | Consciousness | Defense | Fear | God | Ideas | Joy | Madness | Man | Meaning | Means | Men | People | Promise | Purpose | Purpose | Thought | Wants | God | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

He thought of all the time in his life he had spent gambling.

Kill | Thought | Time | Woman | Afraid | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

For what are we born if not to aid one another?

Thought | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.

Hell | Little | Thought | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

Remember everything is right until it's wrong. You'll know when it's wrong.

Ambition | Belief | Economics | Little | Mind | Music | Patriotism | People | Sense | Thought | Ambition | Old | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

I loved to take her hair down and she sat on the bed and kept very still, except suddenly she would dip down to kiss me while I was doing it, and I would take out the pins and lay them on the sheet and it would be loose and I would watch her while she kept very still and then take out the last two pins and it would all come down and she would drop her head and we would both be inside of it, and it was the feeling of inside a tent or behind a falls.

Magic | Thought | Time | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an effect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.

Beginning | Thought | World | Thought |

Ernest Hemingway, fully Ernest Miller Hemingway

I thought that all generations were lost by something and always had been and always would be

Ability | Good | Knowledge | Life | Life | Money | Nothing | Price | Reward | Thought | Work | World | Thought |