This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
Erma Bombeck, fully Erma Louise Bombeck, born Erma Fiste
There were really only two men I knew who ever got a laugh out of paying their income taxes. One was cheating the government and getting away with it. The other had a sick sense of humor and would probably have set up a concession stand at the Boston Tea Party and sold sugar cubes and lemon slices.
Erma Bombeck, fully Erma Louise Bombeck, born Erma Fiste
There is one thing I have never taught my body how to do and that is to figure out at 6 A.M. what it wants to eat at 6 P.M.
It doesn't matter whether the cultural hero-system is frankly magical, religious, and primitive or secular, scientific, and civilized. It is still a mythical hero-system in which people serve in order to earn a feeling of primary value, of cosmic specialness, of ultimate usefulness to creation, of unshakable meaning.
The great boon of repression is that it makes it possible to live decisively in an overwhelmingly miraculous and incomprehensible world, a world so full of beauty, majesty, and terror that if animals perceived it all they would be paralyzed to act. ... What would the average man (sic) do with a full consciousness of absurdity? He has fashioned his character for the precise purpose of putting it between himself and the facts of life; it is his special tour-de-force that allows him to ignore incongruities, to nourish himself on impossibilities, to thrive on blindness. He accomplishes thereby a peculiarly human victory: the ability to be smug about terror.
Beginning | Courage | Death | Hero | Honor | Man | Nature | Terror | Thinkers | Valor | Valor |
Ernest Hemingway, fully Ernest Miller Hemingway
All modern American literature comes from one book by Mark Twain called Huckleberry Finn. American writing comes from that. There was nothing before. There has been nothing as good since.
Ernest Hemingway, fully Ernest Miller Hemingway
Always do sober what you said you'd do drunk. That will teach you to keep your mouth shut.
Ernest Hemingway, fully Ernest Miller Hemingway
Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.
World |
Ernest Hemingway, fully Ernest Miller Hemingway
For God sake write and don't worry about what the boys will say nor whether it will be a masterpiece nor what. I write one page of masterpiece to ninety one pages of shit. I try to put the shit in the wastebasket.
World |
Ernest Hemingway, fully Ernest Miller Hemingway
I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence you know."
Ernest Hemingway, fully Ernest Miller Hemingway
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
World |
Ernest Hemingway, fully Ernest Miller Hemingway
In Africa a thing is true at first light and a lie by noon and you have no more respect for it than for the lovely, perfect wood-fringed lake you see across the sun-baked salt plain. You have walked across that plain in the morning and you know that no such lake is there. But now it is there absolutely true, beautiful and believable.
Enough | Experience | Good | Honesty | People | Will | Think |
Ernest Hemingway, fully Ernest Miller Hemingway
Of all men the drunkard is the foulest. The thief when he is not stealing is like another. The extortioner does not practice in the home. The murderer when he is at home can wash his hands. But the drunkard stinks and vomits in this own bed and dissolves his organs in alcohol.
Hell |
Ernest Hemingway, fully Ernest Miller Hemingway
Once writing has become your major vice and greatest pleasure only death can stop it.
Ernest Hemingway, fully Ernest Miller Hemingway
The house was built on the highest part of the narrow tongue of land between the harbor and the open sea. It had lasted through three hurricanes and it was built solid as a ship. It was shaded by tall coconut palms that were bent by the trade wind and on the ocean side you could walk out of the door and down the bluff across the white sand and into the Gulf Stream. The water of the Stream was usually a dark blue when you looked out at it when there was no wind. But when you walked out into it there was just the green light of the water over that floury white sand and you could see the shadow of any big fish a long time before he could ever come in close to the beach. It was a safe and fine place to bathe in the day but it was no place to swim at night. At night the sharks came in close to the beach, hunting at the edge of the Stream, and from the upper porch of the house on quiet nights you could hear the splashing of the fish they hunted and if you went down to the beach you could see the phosphorescent wakes they made in the water. At night the sharks had no fear and everything else feared them. But in the day they stayed out away from the clear white sand and if they did come in you could see their shadows a long way away.
Politics |
Ernest Hemingway, fully Ernest Miller Hemingway
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.