This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
No sickness would exist on this planet it your contrast hadn't carved out wellness...that you're NOT allowing.
Experience | Mind | Will |
The law of attraction is most understood when you see yourself as a magnet getting more and more of the way you FEEL.
Achievement | Attainment | Body | Joy | Money | Possessions | Property | Success |
Some say that you should not want money at all because the desire for money is materialistic and not spiritual. But we want you to remember that you are here in this very physical world where Spirit has materialized. You cannot separate yourself from the aspect of yourself that is spiritual, and while you are here in these bodies, you cannot separate yourselves from that which is physical or material. All the magnificent things of a physical nature that are surrounding you are Spiritual in nature.
Individual | Power | Right | World | Wrong |
We judge the objects to touch only because we have learned to judge. In fact, if we consider the size of an object, we see that it is relative to that of other objects, so we have to compare it with and judge the extent to which these differ from them, if we want to get an idea of its size, and so for ideas of substance, of shape and weight. In other words, all the ideas that come from touch presuppose the comparison and judgment.
Eugene O'Neill, fully Eugene Gladstone O'Neill
I knew it. I knew it. Born in a hotel room - and God damn it - died in a hotel room.
Means | Mind | Psychology | Will |
The Bible is not a script for a funeral service, but it is the record of God always bringing life where we expected to find death. Everywhere it is the story of resurrection.
This, then, is what counts: a lightning reaction which has no further need of conscious observation. In this respect at least the pupil makes himself independent of all conscious purpose.
Aims | Art | Awareness | Experience | Individual | Meaning | Means | Mind | Nothing | Power | Practice | Present | Reflection | Spirit | Work | Art | Awareness |
It frequently happens that the imagination produces even such effects within us, as might seem to proceed from present reflection. Though we may be greatly taken up with a particular idea, yet the objects which surround us, continue to solicit our senses; the perceptions they occasion, revive others with which they are connected; and these determine certain movements in our bodies.
Any goal of a natural desire is legitimate, it inspires all means are good.
Enemy |
And yet, let the nature of these perceptions be what it will, and let them be produced as they will, if we look amongst them for the idea of extension, for instance, of a line, of an angle, and any other figure, we shall find it in that repository very clearly and distinctly.
Abstract | Circumstances | Mind | Perception | Power | Think |
This state, in which nothing definite is thought, planned, striven for, desired or expected, which aims in no particular direction and yet knows itself capable alike of the possible and the impossible, so unswerving is its power - this state, which is at bottom purposeless and egoless, was called by the Masters truly 'spiritual'. It is in fact charged with spiritual awareness and is there also called 'right presence of mind'. This means that the mind or spirit is present anywhere, because it is nowhere attached to any particular place. And it can remain present because, even when related to this or that object, it does not cling to it by reflection and thus lose its original mobility. Like water filling a pond, which is always ready to flow off again, it can work its inexhaustible power because it is free, and be open to everything because it is empty. This state is essentially a primordial state, and its symbol, the empty circle, is not empty of meaning for him who stands within it. Out of the fullness of this presence of mind, disturbed by no ulterior motive, the artist who is released from all attachment must practice his art. But if he is to fit himself self-effacingly into the creative process, the practice of the art must have the way smoothed for it. For if, in his self-immersion, he saw himself faced with a situation into which he could not leap instinctively, he would first have to bring it to consciousness. He would then enter again into all the relationships from which he had detached himself; he would be like one weakened, who considers his program for the day, but not like an Awakened One who lives and works in the primordial state. It would never appear to him as if the individual parts of the creative process were being played into his hands by a higher power; he would never experience how intoxicatingly the vibrancy of an event is communicated to him who is himself only a vibration, and how everything that he does is done before he knows it.
Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.
Better | Heart | Mind | Writing | Instruction |
Don't think of what you have to do, don't consider how to carry it out! he exclaimed. The shot will only go smoothly when it takes the archer himself by surprise.
Aptitude | Awareness | Cult | Danger | Ego | Existence | Life | Life | Present | Reason | Right | Spirit | Success | Time | Witness | Worth | Talent | Danger | Awareness | Teacher |
Mankind did not multiply words without necessity, especially in the beginning: for they were, at no small trouble to invent and to retain them.
Verbs originally expressed the state of things, only in an indeterminate manner. Such are the infinitives, to go, to act. The action accompanying them supplied the rest ; that is, the tenscs4 moods, numbers, and persons. In saying tree to fee, they signified by some gesture, whether they spoka of themselves or of a third person, of one or of many, of the past, present, or future, in fine, whether in a positive or in a conditional sense.
But how much better, in any case, to wonder than not to wonder, to dance with astonishment and go spinning in praise, than not to know enough to dance or praise at all; to be blessed with more imagination than you might know at the given moment what to do with than to be cursed with too little to give you — and other people — any trouble.