This site is dedicated to the memory of Dr. Alan William Smolowe who gave birth to the creation of this database.
The exercise of criticism always destroys for a time our sensibility to beauty by leading us to regard the work in relation to certain laws of construction. The eye turns from the charms of nature to fix itself upon the servile dexterity of art.
Art | Beauty | Criticism | Nature | Regard | Sensibility | Time | Wisdom | Work | Beauty |
Four men climbed a mountain to see the view. The first wore new and expensive shoes which did not fit, and he complained constantly of his feet. The second had a greedy eye and kept wishing for this house or that farm. The third saw clouds and worried for fear it might rain. But the fourth really saw the marvelous view. His mountain top experience was looking away from the valley out of which he had just climbed to higher things.
Experience | Fear | Men | Wisdom |
Henri Bergson, aka Henri-Louis Bergson
In that continuity of becoming which is reality itself, the present moment is constituted by the quasi-instantaneous section effected by our perception in the flowing mass; and this section is precisely that which we call the material world. Our bodies occupies its centre; it is, in this material world, that part of which we directly feel the flux; in its actual state the actuality of our present lies.
Perception | Present | Reality | Wisdom | World |
Children who have been taught, or conditioned, to listen passively most of the day to the warm verbal communication coming from the TV screen, to the deep emotional appeal of the so-called TV personality, are often unable to respond to real persons because they arouse so much less feeling than the skilled actor. Worse, they lose the ability to learn from reality because life experiences are more complicated than the ones they see on the screen, and there is no one who comes in at the end to explain it all. The “TV child”... gets discouraged when he cannot grasp the meaning of what happens to him.... If, later in life, this block of solid inertia is not removed, the emotional isolation from others that starts in front of TV may continue... This being seduced into passivity and discouraged about facing life actively on one’ sown is the real danger of TV.
Ability | Children | Danger | Day | Isolation | Life | Life | Meaning | Personality | Reality | Wisdom | Danger | Inertia | Learn |
Edward Bulwer-Lytton, 1st Baron Lytton, fully Edward George Earle Lytton Bulwer-Lytton, Lord Lytton
He who sees his heir in his own child, carries his eye over hopes and possessions lying far beyond his gravestone, viewing his life, even here, as a period but closed with a comma. He who sees his heir in another man’s child sees the full stop at the end of the sentence.
Edward Bulwer-Lytton, 1st Baron Lytton, fully Edward George Earle Lytton Bulwer-Lytton, Lord Lytton
Art itself is essentially ethical; because every true work of art must have a beauty and grandeur cannot be comprehended by the beholder except through the moral sentiment. The eye is only a witness; it is not a judge. The mind judges what the eye reports to it; therefore, whatever elevates the moral sentiment to the contemplation of beauty and grandeur is in itself ethical.
Art | Beauty | Contemplation | Mind | Sentiment | Wisdom | Witness | Work | Art | Beauty | Contemplation |
Edward Bulwer-Lytton, 1st Baron Lytton, fully Edward George Earle Lytton Bulwer-Lytton, Lord Lytton
The imagination acquires by custom a certain involuntary, unconscious power of observation and comparison, correcting its own mistakes and arriving at precision of judgment, just as the outward eye is disciplined to compare, adjust, estimate, measure, the objects reflected on the back of its retina. The imagination is but the faculty of glassing images; and it is with exceeding difficulty, and by the imperative will of the reasoning faculty resolved to mislead it, that it glasses images which have no prototype in truth and nature.
Custom | Difficulty | Imagination | Judgment | Nature | Observation | Power | Precision | Truth | Will | Wisdom | Precision |
G. K. Chesterton, fully Gilbert Keith Chesterton
Facts as facts do not always create a spirit of reality, because reality is a spirit.
As the bosom of earth blooms again and again, having buried out of sight the dead leaves of autumn, and loosed the frosty bands of winter; so does the heart, in spite of all that melancholy poets write, feel many renewed springs and summers. It is a beautiful and a blessed world we live in, and whilst that life lasts, to lose the enjoyment of it is a sin.
Earth | Enjoyment | Life | Life | Melancholy | Sin | Wisdom | World | Blessed |